Behind the Picture: Art and Evidence in the Italian Renaissance de Mr. Martin Kemp - 1997-12-22

Yale University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Yale University Press. Used - Good. Used book that is in clean, average condition without any missing pages.

Yale University Press. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Yale University Press. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

New Haven, CT: Yale University Press, 1997. First edition. Hardcover. Near Fine/Near fine. First edition, 1997, hardcover with blue paper boards in dust jacket, octavo, 314pp., illustrated in color and b&w. Book near fine with mild wear to spine ends and corners, binding tight, text clean bright and unmarked. DJ near fine with mild shelfwear.

Yale University Press. Very Good in Very Good dust jacket. 1997. Hardcover. 0300071957 .

New Haven: Yale University Press, 1997. First edition. Hardcover. Near Fine/Near Fine. 1997, First Edition. Hardcover. Illustrated in color and b&w. Near Fine copy in a Near Fine dust jacket. Clean contents. Tight binding.

New Haven: Yale University Press, 1997. cloth, hard cover in dust jacket., only the slightest signs of handling. no flaws or markings, no tears, bumps or writing. strong binding, clean copy.; x-314pp., 121 illustrations in color, b/w. detailed re-evaluation of sources and the evolution of the currently accepted theories.. First Edition. Hard Cover. Near Fine Plus/Near Fine Plus. 4to - over 9¾" - 12" tall.

New Haven, Conn: Yale University Press, 1997. Hardbound. VG. Blue cloth with light blue color illustrated dustj acket. x, 314 pp., 20 color, 101 bw plates. "The Roman author Pliny tells the story -- well known in the Renaissance -- of famed Grecian painter Apelles hiding behind one of his pictures to overhear comments of viewers. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind e business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to this various kinds of audience. ... [He also] provides an introductory text on Italian Renaissance art that brings the period alive through extensive quotations from original sources." (dj).

good. hardcover. cover and corner wear. no dust jacket. soiled covers. bent cover corners.