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Capturing the light: the birth of photography, a true story of genius and rivalry / Roger Watson and Helen Rappaport

Capturing the light: the birth of photography, a true story of genius and rivalry / Roger Watson and Helen Rappaport

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Capturing the light: the birth of photography, a true story of genius and rivalry / Roger Watson and Helen Rappaport

de Watson, Roger; Rappaport, Helen

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New York: St. Martin's Press, 2013. 1st U.S. edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Description; x, 306 pages, 16 unnumbered pages of color plates: color illustrations; 25 cm. Decorated end-pages. Includes bibliographical references (pages [278]-295) and index. Scope and content; ""An intimate look at the journeys of two men--a gentleman scientist and a visionary artist--as they struggled to capture the world around them, and in the process invented modern photography. During the 1830s, in an atmosphere of intense scientific enquiry fostered by the industrial revolution, two quite different men--one in France, one in England--developed their own dramatically different photographic processes in total ignorance of each other's work. These two lone geniuses--Henry Fox Talbot in the seclusion of his English country estate at Lacock Abbey and Louis Daguerre in the heart of post-revolutionary Paris--through diligence, disappointment and sheer hard work overcame extraordinary odds to achieve the one thing man had for centuries been trying to do--to solve the ancient puzzle of how to capture the light and in so doing make nature 'paint its own portrait'. With the creation of their two radically different processes--the Daguerreotype and the Talbotype--these two giants of early photography changed the world and how we see it. Drawing on a wide range of original, contemporary sources and featuring plates in colour, sepia and black and white, many of them rare or previously unseen, Capturing the Light charts an extraordinary tale of genius, rivalry and human resourcefulness in the quest to produce the world's first photograph""-- Provided by publisher. Contents; Prologue: My First Daguerreotype -- The Locked Treasure Room -- Shadowgrams -- The Box of Wonders -- An Inheritance -- The Panorama -- An Innate Love of Knowledge -- More Beautiful than Nature -- Lacock Abbey -- Seeking the Impossible -- The Heliograph -- The Melancholy Artist -- Fixing the Image -- The Latticed Window, August 1835 -- The Magic Cabinet -- The Most Wonderful Discovery Ever Made -- From Today, Painting is Dead -- Photogenic Drawing. Subjects; Daguerre, Louis Jacques Mand�, 1787-1851. Talbot, William Henry Fox, 1800-1877. Photographers--France--Biography. Photographers--England--Biography. Inventors--France--Biography. Inventors--England--Biography. PHOTOGRAPHY / History.

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Librería
MW Books Ltd. IE (IE)
Inventario del vendedor #
236714
Título
Capturing the light: the birth of photography, a true story of genius and rivalry / Roger Watson and Helen Rappaport
Autor
Watson, Roger; Rappaport, Helen
Formato/Encuadernación
Tapa dura
Estado del libro
Usado
Cantidad disponible
4
Edición
1st U.S. edition
Editorial
New York: St. Martin's Press
Fecha de publicación
2013

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MW Books Ltd.

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MW Books Ltd.

Puntuación del vendedor:
Este vendedor ha conseguido 5 de las cinco estrellas otorgadas por los compradores de Biblio.
Miembro de Biblio desde 2005
Galway

Sobre MW Books Ltd.

MW Books is an academic and antiquarian bookshop with a large stock in core areas such as Early Travel & Exploration, Nineteenth Century Literature, Early Political Economy, Labour and Social History, and Asian and Colonial History. Please don't hesitate to contact us with your questions or comments regarding any item listed.

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Cloth
"Cloth-bound" generally refers to a hardcover book with cloth covering the outside of the book covers. The cloth is stretched...
Fine
A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
Tight
Used to mean that the binding of a book has not been overly loosened by frequent use.
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