Compositions, Couleurs, Idees de Delaunay, Sonia - 1930

Paris: Esprit, at the Author's Expense, 1782., 1782. large folio. pp. 1 p.l., 10, [2]. engraved dedication & 22 engraved plates (1 double-page). old half calf over marbled bds., rebacked & recornered (some foxing mainly affecting margins, frontis. creased, 3-inch waterstain affecting lower edge of several plates). First Edition of this illustrated description of one the grandest of European theatres, constructed by Louis between 1773 and 1780. The plates include two perspective views of the interior and one of the main entrance, and several plans and sections, the last plate providing a comparative view of the plans of fourteen other theatres including Covent Garden, London, Versailles, the old Paris Opera, the Comédie Française, and theatres in Berlin, Argentina, Madrid, &c. A plate of the ceiling of the theatre was separately issued. Berlin Kat. 2812.. F.

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Leer más

Signed by Artist. Publisher's original wraps, boldly signed by Rodin on half-title. A clean copy without names, bookplates or other distractions. Grand luxe edition limited to only 100 copies of which this is number 7. Includes the two oft-fugitive unpublished hors-texte plates (one of which is in color). All shipments through USPS insured Priority Mail.

East Hampton, New York:: Barry McCallion,, 2018.. Edition of 3 variants. 13 x 10"; 18 text pages, 9 original linoleum block prints. Handwritten text on beige Rives BFK paper. Lino prints enhanced with acrylic inks and paints. Includes two original carved blocks of the prints adhered to the interior of the box. Signed and numbered by the artist McCallion has handwritten the text of Poe's short story "The Cask of Amontillado". The text is accompanied by McCallion's original artwork. Poe's short story is a revenge plot with the resulting punishment.  McCallion's lino cuts begin with the narrator meeting his "friend" Fortunato on the street at Carnival time. He lures Fortunato to test a cask of Amontillado. Our next image is of the long and winding spiraling staircase that Fortunato descends to the catacombs (the next lino image). The images continue as the fate of Fortunato is revealed. The last image being that of the narrator building a wall… Leer más

Very good complete suite of 21 aquatint views of Paris in the years of the Bourbon Restoration.Lively collection of Parisian scenes showing the sights (parks, bridges, catacombs, morgue, swimming pool, etc.), the people (tradesmen, famous characters, itinerant merchants, street performers) and events (festivals, military rituals, religious processions). A good selection of post-Napoleonic costume too.First published in parts in oblong folio with the title A Tour of Paris in 1822, this is the first collected edition with letterpress and the title A Tour Through Paris. Plates dated 1822 and 1824.The illustrations are unsigned but accredited to the French artist Victor Auver. Four plates previously appeared in Richard Brinsley Peake's The characteristic costume of France, (1816): Itinerants on the Boulevards, Street Characters (as Water Carriers), The Catacombs and La Morgue.The plates depict: Distribution of wine on the morning of St. Louis; The voitures (coach-drivers) of Versailles; The blind man… Leer más

Berlin : Gurlitt Verlag, 1922. Very Good. Studies and sketches of Paul Scheurich. Kit containing lithographs (matted). VERY RARE LIMITED EDITION numbered roman numeral III (three).approximately 14 1 / 4 x 11 3 / 4 in. Scheurich, draftsman, painter and sculptor, studied at the Academy in Berlin, from 1912. Very Good condition.

NY: Duell, Sloan & Pearce, 1943. Hardcover. Very Good+/Near Fine. Frank Lloyd Wright. 2nd printing thus, sm. sq. 4to, maroon cloth, vg+ (shelfrub bottom edge, light bump at bottom of spine, sm. spot on top edge) in an exceptional near fine dj with the $6.00 price. This light gray dj is lightly sunned on the spine; it has been archivally restored, that is, professionally de-acidified, so that it will never darken again. Exceptionally bright and clean text pages. SIGNED in full on the title page (in the red square) by Frank Lloyd Wright and dated Nov. 9, 1948. 561 pp. This is the first complete edition of this book, with an entire section, 'Form', not in the 1932 Longman's edition.

Paris: Esprit, at the Author's Expense, 1782., 1782. large folio. pp. 1 p.l., 10, [2]. engraved dedication & 22 engraved plates (1 double-page). old half calf over marbled bds., rebacked & recornered (some foxing mainly affecting margins, frontis. creased, 3-inch waterstain affecting lower edge of several plates). First Edition of this illustrated description of one the grandest of European theatres, constructed by Louis between 1773 and 1780. The plates include two perspective views of the interior and one of the main entrance, and several plans and sections, the last plate providing a comparative view of the plans of fourteen other theatres including Covent Garden, London, Versailles, the old Paris Opera, the Comédie Française, and theatres in Berlin, Argentina, Madrid, &c. A plate of the ceiling of the theatre was separately issued. Berlin Kat. 2812.. F.

32x25 cm. Thuluth and Naskhi in black ink on paper illustrated and fexed on illustrated paper in golden flworal shapes. Signed in wite ink in Thuluth: Katabahu al Hajj Kamil. Ahmed Kamil Akdik is one of the last great Ottoman calligraphers. Born in the Fındıklı neighborhood of Istanbul in 1861, Ahmed Kâmil displayed an interest in the art of calligraphy from his earliest years in primary school. In 1879 he began to study thuluth (sülüs) and naskhi (nesih) scripts with the most renowned calligrapher of the era, Sami Efendi (1838-1912), and after earning his certificate in 1884 with the approval of Şevki Efendi, he became one of the foremost Ottoman calligraphers. His certificate (icazet) is preserved in the Library of the Topkapı Palace Museum.
After beginning to work for the Divan-ı Hümayun (the Ottoman Imperial Council) in 1894, he learned from his teacher Sami Efendi the divani and celi divani scripts, as well as the inscription of the tuğra, or imperial monogram, and replaced his teacher… Leer más

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Leer más