Dreimal sieben Gedichte aus Albert Girauds Pierrot Lunaire (Deutsch von Erich Otto Hartleben). Für eine Sprechstimme Klavier, Flöte (auch Piccolo), Klarinette (auch Baß=Klarinette), Geige (auch Bratsche) und Violoncell. (Melodramen) ... Op. 21 Partitur. Numerierte orzugsausgabe auf Bütten. [Full score for voice and chamber orchestra]
de SCHOENBERG, Arnold 1874-1951
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Wien ... Leipzig: Universal=Edition [PN U.E. 5334. 5336.], 1914. Folio. Original publisher's textured ivory wrappers with titling gilt to upper. 1f. (recto blank, verso with "No. 22" and Schoenberg's autograph signature), 1f. (recto title, verso blank), [i] ("Vorwort" by Schoenberg), [i] (contents), [ii] (text of the 21 poems), 5-78, [ii] (blank) pp. Music engraved. With printed note to lower left corner of first page of music ("Copyright 1914 by Universal-Edition") and printed note to lower right corner of first page of music ("Stich und Druck von Breitkopf & Härtel in Leipzig"). Printed on fine handmade paper with a crown watermark. Housed in an attractive dark brown calf-backed dark ivory linen archival folding case with raised bands and titling gilt to spine.
Signed by Schoenberg and with printed number "22" to verso of first leaf.
Edges very slightly worn and browned. In exceptionally good condition overall. First Edition, first (deluxe) issue, limited to 50 signed and numbered copies, this no. 22. Rare. Rufer (Engl.) pp. 38-40. Ringer p. 314. Tetsuo Satoh pp. 13-16. Crawford p. 441.
The first issue of the edition, shipped on July 30, 1914, was split: 50 copies were printed on high-quality laid paper, the remaining 200 copies were printed on regular paper. The copies on laid paper carry the printed note "Numerierte Vorzugsausgabe auf Bütten" to title, as in the present copy. Hitherto unrecorded is the fact that all copies of this issue bear the note "Stich und Druck von Breitkopf & Härtel in Leipzig" to the lower right corner of the first page of music. The note "Weag" [Waldheim-Eberle A.G.] to p. 78, mentioned in the Schoenberg Complete Edition (Abteilung VI, Reihe B, Band 24, 1, critical report by Reinhold Brinkmann), is found only in the second issue of 1923.
Pierrot Lunaire, Schoenberg's setting of 21 selected poems from Belgian writer Albert Giraud's eponymous cycle, was first performed at the Berlin Choralion-Saal on 16 October 1912 with soprano Albertine Zehme as vocalist. "Schoenberg, who was fascinated by numerology, ... makes great use of seven-note motifs throughout the work, while the ensemble (with conductor) comprises seven people. The piece is his opus 21, contains 21 poems, and was begun on March 12, 1912. Other key numbers in the work are 3 and 13: each poem consists of 13 lines (two four-line verses followed by a five-line verse), while the first line of each poem occurs three times (being repeated as lines 7 and 13)." Wikipedia
"Pierrot Lunaire is one of the most representative works of the twentieth century, as much as Pablo Picasso's Man with the Guitar or James Joyce's Ulysses. As a creative effort in a single consistent style, as an artistic phenomenon, it stands alone among Schoenberg's compositions. The era of 1912, the sunset of a long epoch of peaceful construction in Central Europe, found an unmistakable expression interest in it." Stuckenschmidt pp. 71-2.
"This melodrama is numbered among the unique, unrepeatable creative works which, both positively and negatively, point the way for, and mark the destiny of, the art of music. Seen in this lofty historical perspective, it takes its place in the line of works such as Mozart's Don Giovanni, Beethoven's Missa Solemnis or late quartets, Wagner's Tristan, Mahler's Song of the Earth, and Richard Strauss's Elektra. This is not a matter of drawing comparisons; when I place Pierrot Lunaire alongside the works just mentioned, it is only to point out that, like them, it was, in a sense, created at as crucial moment for music." Reich p. 79.
Signed by Schoenberg and with printed number "22" to verso of first leaf.
Edges very slightly worn and browned. In exceptionally good condition overall. First Edition, first (deluxe) issue, limited to 50 signed and numbered copies, this no. 22. Rare. Rufer (Engl.) pp. 38-40. Ringer p. 314. Tetsuo Satoh pp. 13-16. Crawford p. 441.
The first issue of the edition, shipped on July 30, 1914, was split: 50 copies were printed on high-quality laid paper, the remaining 200 copies were printed on regular paper. The copies on laid paper carry the printed note "Numerierte Vorzugsausgabe auf Bütten" to title, as in the present copy. Hitherto unrecorded is the fact that all copies of this issue bear the note "Stich und Druck von Breitkopf & Härtel in Leipzig" to the lower right corner of the first page of music. The note "Weag" [Waldheim-Eberle A.G.] to p. 78, mentioned in the Schoenberg Complete Edition (Abteilung VI, Reihe B, Band 24, 1, critical report by Reinhold Brinkmann), is found only in the second issue of 1923.
Pierrot Lunaire, Schoenberg's setting of 21 selected poems from Belgian writer Albert Giraud's eponymous cycle, was first performed at the Berlin Choralion-Saal on 16 October 1912 with soprano Albertine Zehme as vocalist. "Schoenberg, who was fascinated by numerology, ... makes great use of seven-note motifs throughout the work, while the ensemble (with conductor) comprises seven people. The piece is his opus 21, contains 21 poems, and was begun on March 12, 1912. Other key numbers in the work are 3 and 13: each poem consists of 13 lines (two four-line verses followed by a five-line verse), while the first line of each poem occurs three times (being repeated as lines 7 and 13)." Wikipedia
"Pierrot Lunaire is one of the most representative works of the twentieth century, as much as Pablo Picasso's Man with the Guitar or James Joyce's Ulysses. As a creative effort in a single consistent style, as an artistic phenomenon, it stands alone among Schoenberg's compositions. The era of 1912, the sunset of a long epoch of peaceful construction in Central Europe, found an unmistakable expression interest in it." Stuckenschmidt pp. 71-2.
"This melodrama is numbered among the unique, unrepeatable creative works which, both positively and negatively, point the way for, and mark the destiny of, the art of music. Seen in this lofty historical perspective, it takes its place in the line of works such as Mozart's Don Giovanni, Beethoven's Missa Solemnis or late quartets, Wagner's Tristan, Mahler's Song of the Earth, and Richard Strauss's Elektra. This is not a matter of drawing comparisons; when I place Pierrot Lunaire alongside the works just mentioned, it is only to point out that, like them, it was, in a sense, created at as crucial moment for music." Reich p. 79.
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Detalles
- Librería
- J & J Lubrano Music Antiquarians LLC (US)
- Inventario del vendedor #
- 39304
- Título
- Dreimal sieben Gedichte aus Albert Girauds Pierrot Lunaire (Deutsch von Erich Otto Hartleben). Für eine Sprechstimme Klavier, Flöte (auch Piccolo), Klarinette (auch Baß=Klarinette), Geige (auch Bratsche) und Violoncell. (Melodramen) ... Op. 21 Partitur. Numerierte orzugsausgabe auf Bütten. [Full score for voice and chamber orchestra]
- Autor
- SCHOENBERG, Arnold 1874-1951
- Estado del libro
- Usado
- Cantidad disponible
- 1
- Editorial
- Universal=Edition [PN U.E. 5334. 5336.]
- Lugar de publicación
- Wien ... Leipzig
- Fecha de publicación
- 1914
- Palabras clave
- Viennese School, atonality, atonal, post-tonal, expressionism, expressive, early modern, symbolist, symbolism, drama, theatre, theater, experimental, avant-garde, orchestra, singer, pantomime, Sprechstimme, Sprechgesang, soprano, counterpoint, fin-de
Términos de venta
J & J Lubrano Music Antiquarians LLC
All items may be returned within 7 days of receipt, packed, shipped and insured as received.
Sobre el vendedor
J & J Lubrano Music Antiquarians LLC
Miembro de Biblio desde 2008
Syosset, New York
Sobre J & J Lubrano Music Antiquarians LLC
Established in 1977, our firm is recognized as one of the leading international dealers in musical autographs and manuscripts; rare printed music; rare books, prints, drawings and ephemera relating to music and dance dating from the 15th to the 20th centuries.We were honored to be interviewed by Final Note Magazine. To read the article please go to the following URL: http://www.finalnotemagazine.com/music-antiquarians-john-and-jude-lubrano/
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- Spine
- The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
- First Edition
- In book collecting, the first edition is the earliest published form of a book. A book may have more than one first edition in...
- Folio
- A folio usually indicates a large book size of 15" in height or larger when used in the context of a book description. Further,...
- Wrappers
- The paper covering on the outside of a paperback. Also see the entry for pictorial wraps, color illustrated coverings for...
- Verso
- The page bound on the left side of a book, opposite to the recto page.
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
- Fine
- A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
- Raised Band(s)
- Raised bands refer to the ridges that protrude slightly from the spine on leather bound books. The bands are created in the...