Endless Life de [SIGNED] Ferlinghetti, Lawrence - 1980

2010 Measure 18 by 6 inches (46 by 15 cm). Fine.

San Francisco: Italian Cultureal Institute, 2009 Four panel folded pamphlet signed by Mr. Ferlinghetti on the front under his photograph. Inside the card is a reproduction of a painting by Ferlinghetti featured in color. This was to promote an art exhibit that opened on September 10th, 2009 at the Italian Cultural Institute in San Francisco. Card measures 10 by 7 inches unfolded. Fine.

San Francisco: Litquake, 2010 Stapled paper covers. Program for the event. 5 pp. Signed by Mr. Ferlinghetti on the front cover. Fine.

Louisville, Kentucky: White Fields Press, 1994. First Edition. Original Wraps. Fine/Fine. Octavo. SIGNED BY LAWRENCE FERLINGHETTI without personalization. LIMITED EDITION OF 250 COPIES. 16pp., bound in white paper wraps with a photo of the author on the front cover lettered in black; a fine copy.

New York: New Directions, 1971. First Edition. Original Wraps. Fine. 12mo, SIGNED AND INSCRIBED BY LAWRENCE FERLINGHETTI ON HALF TITLE PAGE. A Fine copy in original black and white printed wrappers.

City Lights. A lovely crisp clean softcover copy in good plus condition, age toning, shelfwear and rubbing, no marking. . Good. Soft cover. 1963.

San Diego, CA: Atticus Press, 1983. First Edition. Original Wraps. Fine/Fine. LIMITED TO 100 COPIES. THIS IS No. 26. SIGNED BY LAWRENCE FERLINGHETTI without personalization. (6)pp. bound in stiff beige paper wraps decorated in silver, lettering black; a fine copy. Now quite scarce on the market.

Cambridge, England: Prospect, 1960. 1st edition. Soft cover. Very Good/No Jacket (as issued). Near VG. 8vo, 32pp, stapled wrappers. SIGNED by Lawrence Ferlinghetti at his contribution. Scarce second issue of this Beat-adjacent English little magazine. Price written on cover, which has a small chip out, and some general outer wear.

MADISON: Red Ozier, 1979. LIMITED EDITION. Original Wraps. Fine. Octavo. One of 200 copies. SIGNED BY LAWRENCE FERLINGHETTI without personalization. [16]pp. With two woodcut illustrations by Janet Morgan. Hand printed by Steve Miller. Bound in gray printed wraps; ORIGINAL acetate dust jacket. A fine copy in custom cloth covered slipcase.

SF: City Lights Publishers, 2001. First edition. Hardcover. Fine. An association copy: pasted to the front free endpaper is a handwritten and signed postcard from the book's editor, City Lights founder and publisher, and San Francisco Renaissance poet Lawrence Ferlinghetti. The postcard, dated 1978, mentions enclosing poems for Clemente to consider for a new journal he was editing (which was The West Hills Review). Clemente was a professor at SUNY and his papers are held at Rochester University. This anthology is described as a "comprehensive selection from the influential City Lights Pocket Poets Series [ . . .] a landmark retrospective, celebrating forty years of publishing and cultural history." City Lights famously published Ginsberg's Howl and much else. A small book, sextodecimo, in pictorial paper boards without a dust jacket as issued; a fine copy. The postcard is fully pasted to the FFEP and is very good with browning to edges, ink slightly faded, and one corner slightly clipped.