The engravings of Eric Gill de Gill, Eric - 1983

New York: Harper & Row, 1984. First edition, 8vo, pp. xxi, [1], 836, [1]; fine in original black cloth stamped in gilt, dust-wrapper. Inscribed by Ginsberg on the title page, "For Mark Mutchler Allen Ginsberg May 24, 1986 AH New Orleans."

Stockholm: Midnight Paper Sales Press, 1989. Edition limited to 200 copies, this one of 26 lettered copies (letter 'U') signed by Schanilec on the colophon with his chop mark; 8vo, pp. [3]-56, [4]; vignette wood engraving on title page, 4 double-page colored wood engravings, plus an extra suite of the engravings in a tan paper chemise with a printed paper label on the front; full natural goatskin by the Campbell-Logan Bindery, embossed in the lower outer corner with Schanilec's chop mark; beige cloth clamshell box, leather label on spine. The whole designed and hand-printed by Schanilec. The text is derived from recorded interviews with farmers in the wake of the farm crisis in the mid 1980s, conducted by Schanilec near his home in Stockholm, Wisconsin, and edited by his brother, Clayton. Quarter to Midnight A.90.a.

[New York: Marchbanks Press, 1929. Edition limited to 1000 copies, small, square 4to, pp. [32]; partially unopened; 10 woodcuts (8 full-page), initials illuminated in gilt; small ding at the top of the front board, else fine in original blue cloth-backed boards elaborately stamped in gilt on the upper cover; in a new blue cloth clamshell box.

[Andoversford, Gloucestershire]: Whittington Press, 1984. Edition limited to 350 copies signed by Craig (this, no. 274), 8vo, pp. [12], x, [54]; title page printed in red and black, 50 wood engravings, one folding plate; pictorial endpapers; original full linen boards, spine and front cover paper labels, fine. Contact card for the press laid in.

New York: South Street Seaport Museum, 1994. Edition limited to 200 copies (this, no. 102), 8vo, pp. [30]; decorative title page and and each text page printed with a unique color-printed border "set from foundry type and electrotypes in a style popular during the last quarter of the nineteenth century," original green cloth-backed mauve paper-covered boards, printed decorative title on upper cover, mauve printed label on spine; fine. Printed by Barbara Henry. 1995 Xmas card printed by Barbara Henry laid in.

New York: Harper & Row, 1984. First edition, 8vo, pp. xxi, [1], 836, [1]; fine in original black cloth stamped in gilt, dust-wrapper. Inscribed by Ginsberg on the title page, "For Mark Mutchler Allen Ginsberg May 24, 1986 AH New Orleans."

Stockholm: Midnight Paper Sales Press, 1989. Edition limited to 200 copies, this one of 26 lettered copies (letter 'U') signed by Schanilec on the colophon with his chop mark; 8vo, pp. [3]-56, [4]; vignette wood engraving on title page, 4 double-page colored wood engravings, plus an extra suite of the engravings in a tan paper chemise with a printed paper label on the front; full natural goatskin by the Campbell-Logan Bindery, embossed in the lower outer corner with Schanilec's chop mark; beige cloth clamshell box, leather label on spine. The whole designed and hand-printed by Schanilec. The text is derived from recorded interviews with farmers in the wake of the farm crisis in the mid 1980s, conducted by Schanilec near his home in Stockholm, Wisconsin, and edited by his brother, Clayton. Quarter to Midnight A.90.a.

[New York: Marchbanks Press, 1929. Edition limited to 1000 copies, small, square 4to, pp. [32]; partially unopened; 10 woodcuts (8 full-page), initials illuminated in gilt; small ding at the top of the front board, else fine in original blue cloth-backed boards elaborately stamped in gilt on the upper cover; in a new blue cloth clamshell box.

[Andoversford, Gloucestershire]: Whittington Press, 1984. Edition limited to 350 copies signed by Craig (this, no. 274), 8vo, pp. [12], x, [54]; title page printed in red and black, 50 wood engravings, one folding plate; pictorial endpapers; original full linen boards, spine and front cover paper labels, fine. Contact card for the press laid in.

New York: South Street Seaport Museum, 1994. Edition limited to 200 copies (this, no. 102), 8vo, pp. [30]; decorative title page and and each text page printed with a unique color-printed border "set from foundry type and electrotypes in a style popular during the last quarter of the nineteenth century," original green cloth-backed mauve paper-covered boards, printed decorative title on upper cover, mauve printed label on spine; fine. Printed by Barbara Henry. 1995 Xmas card printed by Barbara Henry laid in.