Flora and Sylva. A Monthly Review for Lovers of Garden, Woodland. Tree or Flower; New and Rare Plants, Trees, Schrubs and Fruits; the Garden Beautiful, Home Woods, and Home Landscape. Three Volumes Complete. de [Color Plate Book] - 1903-05.

(Morgantown, WV: The Permutation Press, 1987. cloth with inset black cover label. Permutation Press. small 4to. cloth with inset black cover label. (28) pages. Limited to 18 numbered copies, of which this copy is not numbered. Entered into the AIGA Book Shop for 1987 and shown on their web site. The artist uses an interesting combination of cutouts on each page exposing different combinations of color paper. The text is all about color. The University of Delaware holds correspondence between Clifford Harvey, proprietor of the Pemutation Press and Ben Lieberman. Harvey (1997-2013) was Professor Emeritus of Art at West Virginia University and set up their Graphic Design program.

1944. Uncut, Unbound Copy of Hemard's Illustrated French Tax Code Hemard, Joseph [1880-1961], Illustrator. Code General des Impots Directs et Taxes Assimilees. Texte Integral des Lois, Decrets, Decrets-Lois, Decret de Codification, Suivi d'un Formulaire Administratif. Paris: Editions Litteraires et Artistiques/Librairie "Le Triptyque", [1944]. x, 330, [1] pp. 183 illustrations, 62 of them in color. 8 pp. addendum of changes to the code, titled Rectificatif, laid in, Quarto (9-1/4" x 6-1/2"). Uncut, unbound in signatures, as issued, copy in publisher's wrappers housed in publisher's chemise and slipcase. Light soiling and edgewear to slipcase and spine of chemise, which has some discoloration around its lower corners, lower joints of slipcase beginning to crack. Offsetting to margins of endleaves, rear joint cracked at ends, negligible light toning to text, images vivid. $750. * From an edition limited to 800 copies, this number 744. Hemard presents the official text of the French Tax Code with witty,… Leer más

Eveleigh Nash & Grayson Limited. London. 1923. Large 8vo. (9.6 x 6.6 inches). Colour frontis and fifteen mono plates by Worth Brehm. A few spots of foxing to the fore edge otherwise a very good clean copy throughout, finely bound in recent half dark green morocco, raised bands, the compartments ruled, lettered and decorated in gilt. Marbled paper on boards. An attractively leather bound copy of this classic of American literature.

Hodder and Stoughton, London, for Boots pure drug company. circa 1923. Early reprint edition. 4to.(10 x 7.9 inches). Twenty full colour tipped in plates by Dulac. Finely bound recent half dark brown morocco leather binding. Spine with raised bands, the compartments ruled in blind and gilt, plus gilt lettering and centre decorations. Marbled paper on boards. A clean and attractively bound copy.

Near Fine. 1840-1844. Royal Octavo Edition. Print. From the first Royal Octavo edition of Birds of America published from 1840 to 1844. Octavo (approximately 10.25 x 6.5 inches). Drawn from nature by JJ Audubon, printed and hand-colored by J. T. Bowen, Philadelphia. One edge unevenly trimmed as a result of removal from binding. Please examine the provided photo's for personal inspection of condition. Near fine print. .

LONDON : John White, 1807 A very good copy of Rousseau's Letters translated and explained by Professor Thomas Martyn, 7th corrected and improved edition bound with Thirty-Eight plates, also by Thomas Martyn, 1794. In newer half leather binding with title label to spine and marbled boards. Page edges marbled. Letters is 503 pp plus index sections, with folding table outlining Linnaeus' system. The Thiry-Eight plates, a complete work in itself with separate title page, but prepared to link with the Letters, is 72 pp with 38 beautiful hand coloured plates by Nodder. The binding is in very good condition with a little scuffing to the spine. The contents are generally in very good condition with nice clean text pages. The plates are clean and brightly coloured. There is a small stain which affects the bottom left hand corner of plates 36-8, not affecting images.

Edinburgh, 1823; Circa 1823 hand colored copper engraving of the South American Capybara (Hydrochaerus capibara. Erxleben), world’s largest rodent, which reaches a mature size of up to four feet in length and three in girth and inhabits the banks of lakes and rivers, where it is distinguished for the webbed feet which make it an agile swimmer, and for its remarkable ability to submerge itself for long periods of time without resurfacing. Drawn by Alexander Mosses (1793-1837), who with no formal training developed into an acknowledged master draughtsman and painter of nature scenes, genre pieces, and portraiture, his subjects ranging from members of the privileged classes to common people. His portrait of prominent physician John Rutter hangs in the Royal Institution, Liverpoole, and his work is in the permanent collections of both the Walker Art Gallery and the National Galleries Of Scotland. Engraved by William Home Lizars (1788-1859), renowned not only for his art, but for being instrumental in… Leer más

Thames Ditton: for private distribution, 1873 & 74. 2 volumes, octavo. Original green cloth, titles to spine and upper board gilt, yellow coated endpapers. Map. Corners and edges bumped, dampstains to both lower boards, small area of dampstain to edge of upper board of volume II, occasional light spotting to contents and edges of text block of volume II. A very good set. First edition, presentation set inscribed by the author on each title, "Mary Edmonds from the Author, H. C. W. 1873" and "Mary Edmonds from the Author, June 24th 1874". Inspired by the work of Alexander von Humboldt, Hewett Cottrell Watson (1804-1881) became Victorian Britain's leading phytogeographer, and his research contributed to Charles Darwin's Origin of Species. "Watson's major botanical endeavour was producing several versions of a work first entitled Outlines of the Geographical Distribution of British Plants (1832); it reached its most extensive form as Cybele Britannica, or, British Plants, and their Geographical… Leer más

Fine example of Riviere and Son binding in exceptional condition (see image). Full deep red morocco with gilt rule to boards; 5 raised bands and intricate gilt detailing to spine. Gilt ruled edges; intricate inner dentelles; all edges gilt. Marbled endpapers. Frontispiece (with tissue guard) and 15 aquatint hors-texte plates throughout. Includes an advertisement page after title page stating this book would have been released earlier, but "impediments" and the plates delayed its release. There is also included a section for Notes and Errata. Without previous owners' names or other markings. 259 pp., [1]. 5 1/4 x 8 1/4 inches.

1860 French Furniture Store Magasin de Meubles Tables Chairs French Design & ART
Victor Quetin's "Le Magasin de Meubles" or 'The Furniture Store" is a rare, mid-19th-century illustrated catalogue-like book filled with nearly 300 illustrated figures of furniture. Like many books from this era, this book portrays French art and design, showing vanities, tables, chairs, jewelry boxes, serving trays, and much more.
Item number: #18294
Price: $499
QUETIN, Victor
Le magasin de meubles, no. 2
Paris : V. Quétin, [ca. 1860].

Details:

· Collation: Complete with all pages
o 106 plates with multiple engravings
· Binding: Leather; tight and secure
· Language: English
· Size: ~7.75in X 11.25in (19.5cm x 28.5cm)
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18294Photos available upon request.