Fortunes of Nigel. Volumes I, II & III.

Tan calf spine with green marbled paper boards. Gilt banding and title with thistle emblems on the spine. Dimensions are for one volume.

The Fortunes of Nigel (1822) is one of the Waverley novels by Sir Walter Scott. Set in London in either 1623 or 1624, it centres on the Scottish community there after the Union of the Crowns and features James VI and I . On 30 September 1821 Scott indicated to his publisher Archibald Constable that The Pirate (which he would complete the following month) would be followed by a tale of the time of James VI and I. He began composition immediately The Pirate was finished. The first volume was complete before the end of the year; by the end of January 1822 Scott was halfway through the second volume; there were delays, in part because he devoted a considerable amount of time to the Introductory Epistle, but the work was brought to a conclusion in early May. Scott's main sources for The Fortunes of Nigel were Jacobean dramas and other imaginative literature of the period, but he was also well acquainted with other contemporaneous publications and more recent studies. For his depiction of James, and details of events during his reign, he was able to draw extensively on his own edition, published in 1811, of Secret History of the Court of James the First, containing a set of contemporaneous or early memoirs and histories. The James of the novel is deliberately treated in a more balanced manner than had been the case in the laudatory An Inquiry into the Literary and Political Character of James I by Isaac D'Israeli (1816). The richness of Scott's treatment of the age is also a result in part of another, more extensive editorial project, his collection known as Somers' Tracts, which had appeared in 13 volumes between 1809 and 1815. Many of the details about Jacobean London in the novel are drawn from A Survey of the Cities of London and Westminster by John Stow, of which Scott owned the revised edition by John Strype published in 1720. The first edition was published concurrently in Edinburgh, by Constable, and in London, by Hurst, Robinson, and Co., on 29 May 1822. As with all the Waverley novels before 1827 publication was anonymous. The print run was 12,000 and the price one and a half guineas (£1 11s 6d or £1.57½). There is no reason to think that Scott was involved with the novel again until the late summer of 1830, when he revised the text and provided new notes and an introduction for the 'Magnum' edition, in which it appeared as Volumes 26 and 27 in July and August 1831. The standard modern edition, by Frank Jordan, was published in 2004 as Volume 13 of the Edinburgh Edition of the Waverley Novels: it is based on the first edition with emendations mainly from Scott's manuscript and proof corrections; the Magnum material is included in Volume 25b. The Book's Plot - A young Scottish nobleman, Nigel Olifaunt, Lord Glenvarloch, travels to London in order to ask the King to repay his father's loan. Nigel wishes to use the money to pay off a mortgage on his estate—but the Duke of Buckingham and Prince Charles already have their eyes on it. The lord is drawn into the chaotic life of the court, and when he becomes an enemy of the profligate Lord Dalgarno, he finds himself in grave danger.

Overview: Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish historical novelist, poet, playwright and historian. Many works remain classics of European and Scottish literature, notably the novels Ivanhoe, Rob Roy, Waverley, Old Mortality, The Heart of Mid-Lothian and The Bride of Lammermoor, and the narrative poems The Lady of the Lake and Marmion. He had a major impact on European and American literature. As an advocate, judge and legal administrator by profession, he combined writing and editing with daily work as Clerk of Session and Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory establishment, active in the Highland Society, long a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society of Antiquaries of Scotland (1827–1829). His knowledge of history and literary facility equipped him to establish the historical novel genre and as an exemplar of European Romanticism. He became a baronet "of Abbotsford in the County of Roxburgh", Scotland, on 22 April 1820; the title became extinct on his son's death in 1847. History: Sir Walter Scott was born on 15 August 1771, in a small third floor flat in College Wynd in Edinburgh's Old Town. Scott was the ninth child of Anne Rutherford and Walter Scott, a solicitor and member of the private Scottish society known as the Writers of the Signet, so called for their entitlement to use the Scottish King's seal – known as the signet – when drawing up legal documents. Whilst the Scott's home near the University was a popular area for lecturers and professionals like Scott's father to live, in reality the small, overcrowded alleyway saw little natural light and clean air and suffered from a lack of proper sanitation. Unsurprisingly perhaps then, that six of Anne and Walter's children died in infancy and the young Walter (or 'Wattie' as he was affectionately known) contracted polio as a toddler. Despite early treatment his right leg remained lame for the rest of his life. In 1773, Walter was sent to live with his grandparents on their farm at Sandyknowe, in the border area of Roxburghshire, 30 miles from Edinburgh. It was hoped that some time spent in the countryside would improve Scott's ailing health and indeed it did. This time spent with his grandparents and attentive Aunt Janet (or 'Jenny' as she was more commonly known) meant that he was sufficiently strong enough to return to Edinburgh and start school in January 1775, following the death of his grandfather Robert Scott. During his time at Sandyknowe Jenny encouraged Scott's literary pursuits, reciting poetry to him when he was too ill to leave his bed and teaching him how to read. His grandmother Barbara would also keep the young boy amused with stories of their ancestors and the border battles between the Scots and the English. It was then that Walter developed his enduring appreciation of ballads and his keen interest in the Scottish heritage. On his return to Edinburgh – to his family's large new home at 25 George Square in the New Town area of the city – Scott was able to thoroughly explore the city with the aid of a cane. Having been privately educated on his return, Scott then attended the Royal High School of Edinburgh in October 1779. As the high school did not focus on arithmetic or writing, Walter also undertook further tuition from the staunch patriot James Mitchell, who also threw in some teachings of the Scottish Church and the Scottish Presbyterian movement for good measure. In his last year at the high school Scott had grown several inches, and fearful that he would no longer have the strength to carry his larger frame, he was once more sent to stay with his Aunt Jenny in 1783, this time at the small border town of Kelso where she was now living. During his six months at Kelso, Walter also attended Kelso Grammar School and it was here that he made one of the enduring friendships of his life, with future business partner and publisher James Ballantyne, who shared Scott's love of literature. Already an avid reader of epic romances, poetry, history and travel books, Walter returned to Edinburgh to study classics at the University from November 1783. In March 1786 Walter began an apprenticeship at his father's office with the intention to become a Writer to the Signet, however it was decided that he would aim for the Bar and so he returned to the university to study law. It was at this time that Scott met the other great Scottish Poet, Robert Burns, at a literary salon in the winter of 1786–87. It was said to be the only meeting between the pair, and the 15-year old Scott ingratiated himself to the older Burns by being the only one present to identify the author of an illustrated poem Burns had happened upon (the poem being "The Justice of the Peace" by the English translator, poet and priest John Langhorne). Having qualified as a lawyer in 1792, Walter received a modest income as an Advocate whilst he spent the next few years foraying into literature by translating noted German works into English for publication by his friend Ballantyne. In September 1797 on a visit to the Lake District, Scott met Charlotte Carpentier. Following a whirlwind courtship, Scott proposed to Charlotte only three weeks after their initial meeting, much to the disproval of his parents. Charlotte's French origins led them to believe she might be Catholic and they insisted on learning more about her family. Their concerns were allayed when they discovered she was a British citizen and had been christened in the Church of England. The fact that she was financially comfortable was another plus! The couple were married on Christmas Eve 1797 at St Mary's Church in Carlisle, returning to live in Edinburgh the same night. It was a happy union, broken only by Charlotte's death thirty years later on 15th May 1826. In 1809, Scott joined James Ballantyne and his brother as an anonymous silent partner in their publishing house, John Ballantyne & Co. Many of Scotts subsequent poems were published by the company, including the well known The Lady of the Lake, whose German translation was set to music by the composer Franz Schubert. Scott's 1808 poem Marmion, about the battle between the English and Scottish at Flodden Field in 1513 introduced his most oft' quoted rhyme, which is still regularly used today: Oh! what a tangled web we weave When first we practise to deceive! Scott's popularity as a poet was cemented in 1813 when he was given the opportunity to become Poet Laureate. However, he declined and Robert Southey accepted the position instead. In 1814, when the publishing house suffered the first of two significant financial blows, Scott began writing novels as a means of bettering his fiscal situation. That same year his first novel, Waverley, was published anonymously and its worldwide success prompted further volumes in the Waverley series, each with a Scottish historical setting. Whilst many eventually came to suspect Scott as the author, he continued to produce these and other novels under a pseudonym until officially admitting he was the author in 1827. What had begun as an attempt to uphold his reputation as a serious poet and Clerk of the Court Session should this more whimsical genre have been unsuccessful, also enabled Scott to indulge his passion for the romance and mystery about which he wrote. The Prince Regent (later George IV) was so impressed by Scott's work that In 1818 he gave him permission to search Edinburgh Castle for the Royal Scottish regalia. The searchers eventually found them in the little strong room at Edinburgh Castle locked in an oak chest, covered with linen cloths, exactly as they had been left after the Union on 7th March 1707. They were put on display on February 4th, 1818 and have been on view ever since in Edinburgh Castle, where thousands come to see them each year. Having been granted the title of baronet in 1820, Sir Walter Scott was heavily involved in arranging King George IV's visit to Scotland in 1822 (the first Scottish visit by a ruler of the Hanoverian dynasty), and the ceremonial tartans and kilts Scott had displayed throughout the city during the visit brought the garments back into contemporary fashion and cemented them as important symbols of the Scottish culture. In 1825 the publishing house faced further financial difficulties resulting in its near closure. These difficulties were brought about in part by Scott's attempts to finance his Abbotsford Estate and other landholdings but also the shift to more cautious trading in the city of London at the time. Scott chose not to declare himself bankrupt, but instead he entrusted his estate and assets to his creditors and produced a prolific amount of literature over the next seven years as a means of wiping out his debt. Having suffered a stroke in 1831, which resulted in apoplectic paralysis, his health continued to fail and Scott died on 21st September 1832 at Abbotsford. He was buried alongside his wife Charlotte at Dryburgh Abbey in the border town of Melrose. At the time of his death Scott was still in debt, but the continued success of his writings meant that his estate was eventually restored to his family. Scott today Having been one of the first English-language authors to succeed international in his own lifetime, Scott's works are still widely read today with many such as Ivanhoe, and Rob Roy being adapted for the screen. However, whilst Scott was one of the most popular writers in both Britain and the United States in the nineteenth century he was not without his detractors. The American author Mark Twain was definitely not a fan, ridiculing Scott by naming the sinking boat after the Scottish writer in his famous 1884 novel Adventures of Huckleberry Finn. Following the Modernist movement in literature in the aftermath of the first World War, Scott's rambling and verbose text (indeed he was alleged to omit punctuation in his writing, preferring to leave this to the printers to insert as required) was no longer in vogue. Nevertheless, Scott's impact on both Scottish and English literature cannot be denied. He created the modern historical novel which has inspired generations of writers and audiences alike and his input to the Highland revival put Scotland back on the map. Whilst perhaps not as immediately synonymous with Scotland as his predecessor Burns, Scott has been immortalised in monuments as far apart as Glasgow and New York and still appears on the front of Scottish bank notes. His famous creation – the Waverley novels – is also commemorated via Edinburgh's famous Waverley rail station. As a literary genre of high culture, heroic romance or chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, distressed damsels, dragons, and other romantic tropes. Originally, romance literature was written in Old French, Anglo-Norman, Occitan, and Provençal, and later in Portuguese, Spanish, English, Italian (Sicilian poetry), and German. During the early 13th century, romances were increasingly written as prose. In later romances, particularly those of French origin, there is a marked tendency to emphasize themes of courtly love, such as faithfulness in adversity.