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GARGANTUA AND PANTAGRUEL

GARGANTUA AND PANTAGRUEL

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GARGANTUA AND PANTAGRUEL

de (TUDOR TRANSLATIONS). RABELAIS, FRANÇOIS

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Sobre este artículo

London: Published by David Nutt, 1900. 210 x 152 mm. (8 1/4 x 6"). Three volumes. Translated by Sir Thomas Urquhart and Peter Le Motteux. Introduction by Charles Whibley.
VERY ATTRACTIVE BROWN CRUSHED HALF MOROCCO BY BICKERS & SON (stamp-signed on verso of front endpaper), smooth russet linen boards, spines gilt in ruled compartments, raised bands decorated with double rules and small tool at either end, top edge gilt, other edges untrimmed. Publisher's original buckram covers bound in at rear. Decorated title page, initials, printer's device on verso of last leaf. Title pages printed in red and black; pastedowns with bookplate of Sir James Dunn. ◆A couple of tiny scratches to leather on lower cover of volume I, a hint of soiling to lower board of volume II, just a touch of rubbing to bottom edges and corners, a couple of tiny blemishes internally, but these faults all very minor, and the set in excellent condition overall.

This is a pleasing edition of the first English translations of Rabelais' masterpiece, originally published in two parts by two different translators, nearly 40 years apart. Britain had to wait a century from the time of Rabelais' death until Sir Thomas Urquhart (or Urchard, 1611-60) published in 1653 a translation of the first two books of Rabelais' oeuvre, comprising "Gargantua" and the first episodes of "Pantagruel." Four decades more passed until, in 1693, Urquhart's version of the third book, continuing the adventures of Pantagruel and Panurge, appeared in print (although the translation itself had been completed much earlier). The English Rabelais was at last completed in 1694 with publication by Peter Le Motteux of the final two books, containing further escapades of Pantagruel and Panurge, as well as the "Pantagruelian Prognostication" and 16 letters of Rabelais. Urquhart, an eccentric Scotsman whose home was the castle of Cromarty, possessed the requisite passionate and saucy temperament to translate Rabelais, and this translation is considered his best work. Our editor Whibley says that "to turn from Urquhart to Motteux is to travel at a page from the old world to the new, to exchange the fastness of Cromarty for the tobacco and the spilt wine of the tavern." Peter Le Motteux (1660-1718) was born in Rouen but migrated in 1685 to England because of the persecution of French Protestants. Although best known today for his translations of Rabelais and Cervantes, Motteux was a person with manifold interests and occupations, importing goods from India and China, composing plays and operas, and holding a position in the post office. His racy translation of Rabelais is equal in verve to that of Urquhart, if less quaint..

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Detalles

Librería
Phillip J. Pirages Fine Books and Medieval Manuscripts US (US)
Inventario del vendedor #
ST15557-18
Título
GARGANTUA AND PANTAGRUEL
Autor
(TUDOR TRANSLATIONS). RABELAIS, FRANÇOIS
Estado del libro
Usado
Cantidad disponible
1
Editorial
Published by David Nutt
Lugar de publicación
London
Fecha de publicación
1900
Atención
Puede que se trate de un conjunto de varios volúmenes y requiera de gastos de envío adicionales.

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Sobre el vendedor

Phillip J. Pirages Fine Books and Medieval Manuscripts

Puntuación del vendedor:
Este vendedor ha conseguido 5 de las cinco estrellas otorgadas por los compradores de Biblio.
Miembro de Biblio desde 2006
McMinnville, Oregon

Sobre Phillip J. Pirages Fine Books and Medieval Manuscripts

Phillip J. Pirages Fine Books an Manuscripts was established in 1978 on a ping pong table in a basement in Kalamazoo, Michigan. From the beginning, its founder was willing to sell a range of material, but over the years, the business has gravitated toward historical artifacts that are physically attractive in some way--illuminated material, fine bindings, books printed on vellum, fore-edge paintings, beautiful typography and paper, impressive illustration. Today, the company still sells a wide range of things, from (scruffy) ninth century leaves to biblical material from all periods to Wing and STC imprints to modern private press books to artists' bindings. While we are forgiving about condition when something is of considerable rarity, we always try to obtain the most attractive copies possible of whatever we offer for sale.

Glosario

Algunos términos que podrían usarse en esta descripción incluyen:

Buckram
A plain weave fabric normally made from cotton or linen which is stiffened with starch or other chemicals to cover the book...
Top Edge Gilt
Top edge gilt refers to the practice of applying gold or a gold-like finish to the top of the text block (the edges the pages...
Edges
The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
New
A new book is a book previously not circulated to a buyer. Although a new book is typically free of any faults or defects, "new"...
Verso
The page bound on the left side of a book, opposite to the recto page.
Rubbing
Abrasion or wear to the surface. Usually used in reference to a book's boards or dust-jacket.
Gilt
The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
Morocco
Morocco is a style of leather book binding that is usually made with goatskin, as it is durable and easy to dye. (see also...
Bookplate
Highly sought after by some collectors, a book plate is an inscribed or decorative device that identifies the owner, or former...
Device
Especially for older books, a printer's device refers to an identifying mark, also sometimes called a printer's mark, on the...
Raised Band(s)
Raised bands refer to the ridges that protrude slightly from the spine on leather bound books. The bands are created in the...
Title Page
A page at the front of a book which may contain the title of the book, any subtitles, the authors, contributors, editors, the...

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