Girl with Green Hair de CUMMINGS, E.E

1947. Oil on composition board. 32" x 25". Dated December 25, 1947. Inscribed by Cummings on the rear of the painting: "For Marion/ love!/ Xmas/ 1947." This image was later used as a Christmas card that Cummings and Marion Morehouse had made. Corners abraded. Unframed. No Binding.

Flower vendor and pedestrians on a street corner in Paris. Oil on cardboard. 8-1/2" x 17-1/2". Framed. No date. No Binding.

Watercolor of a sunset sky over Mount Chocorua. 18" x 12". This painting is signed by Cummings on the verso. Undated. No Binding.

1950-09-09. Watercolor. 20" x 14". Signed on back. No Binding.

ca. 1928. A large portrait by Cummings of his stepdaughter, Diana Barton, with one of her dogs at Joy Farm in New Hampshire, sometime between 1927 and 1930. Diana was born in 1921; Cummings met Anne Barton in 1925 and they spent several summers at Joy Farm beginning in 1927. Diana is standing outside, with her dog at her side and Mount Chocorua in the background. One of the best-loved American poets of the 20th century, Cummings was also a prolific visual artist: he considered writing and painting to be his "twin obsessions." He exhibited his work in the annual Society of Independent Artists shows from 1916-1927, and he was the art editor of The Dial magazine, the preeminent Modernist literary journal in the U.S., in the 1920s. In 1933, Cummings published a book of his artwork in a limited edition. Called CIOPW, it took its title from the media he used in his art: charcoal, ink, oil, pencil and watercolors. In his early years he emphasized abstract painting; from the 1930s on he tended toward… Leer más

Watercolor of Mount Chocorua on a partly sunny day. 17-7/8" x 12". Uncharacteristically, this painting is signed by Cummings (on the verso, which was common on the rare occasions that he did sign his work). No date. No Binding.

1942. A portrait by Cummings of his mother, Rebecca Clarke Cummings, immortalized in Cummings' words: "if there are any heavens my mother will(all by herself)have one." Oil on canvas. 15" x 20". Dated on verso, September 1, 1942. No Binding.

Mt. Chocorua. 1961. The summer sun hitting the Sandwich Range. Oil on canvas. 12" x 16". On the verso: "june 30, 1961." No Binding.

1957. The porch at Joy Farm, near Silver Lake, NH. Oil on canvas. 16" x 12". On the verso: "joy farm terrace." "m.m.c.," and "july 27, 57." No Binding.

1955. Oil on canvas. 15" x 20". Portrait of fellow Harvard alumnus and fellow New Hampshire painter William James, Jr. On the verso: "w.j." and "10-01-55." No Binding.