Gustave Courbet de Mack, Gerstle - 1951

Da Capo Press. First Edition. Very Good. Very Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported

Da Capo Press, 1989. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Da Capo Press. Used - Acceptable. 1989. Paperback.

Da Capo Press. Used - Very Good. 1989. Paperback. Very Good.

Rupert Hart-Davis, 1951. Hardcover. Good/Good. 1951. No Edition Remarks. 406 pages. Pictorial dust jacket over black cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Book has noticeable backward lean. Boards are slightly bowed. Unclipped jacket has light edge-wear with minor tears and chipping. Moderate tanning and creasing, with rubbing and marking. Heavy foxing overall.

New York: De Capo, 1989. Reprint . Soft cover. Fine. 8vo - over 7¾" - 9¾" tall. (20)406(19)pp. Indexed. Reference notes. Biblio. Separate plate section. Reprint of the 1951 edition. Crisp unread condition.

New York: Da Capo, 1951. 1st Edition thus . Soft cover. Fine. Quality trade paperback, cream covers. No names, clean text. Index. The great French naturalist painter. Cover: 1847 self-portrait. With b/w repros. 406+ pgs

New York: Alfred A. Knopf. Very Good in Good+ dust jacket. 1951. First Edition. Hardcover. DJ has edge wear. Corners slightly bumped. .

New York: Da Capo Press, 1989. xv, 406, xix pages, [48] pages of plates, illustrations, map; 23 cm. First published, 1951. Tight, clean copy. Spine slightly faded. Age toning. Another copy available. "No biographer could ask for a more colorful or difficult subject than the painter and revolutionary Gustave Courbet. One of the fathers of Realism, a style he created with his huge canvases of his birthplace in Ornans (After Dinner at Ornans, 1949; Funeral at Ornans, 1850, and The Stonebreakers, 1850), Courbet chose his subjects from ordinary life and portrayed them with the same monumental dignity as the great men of history. A man with big appetites for life, women, and politics, he frequently found himself at odds with French authorities, especially during the period of the Commune when he and his friends pulled down the Vendome Column. Impressionism and Modernism would be unthinkable without his fierce opposition to the academies of art. This biography by one of the most reliable students of… Leer más

Da Capo Press, 1989-08-22. Paperback. New.