Inventing Abstraction, 1910-1925: How A Radical Idea Changed Modern Art

New York: Museum of Modern Art, New York, 2012. Hardcover. VG+/VG (light shelf-wear to lower corners. may have small indentation to lower board edge. dustjacket has creasing to corners, spine ends; may have slight curling to edges). Color illustrated dj.; Pink cloth over boards; Color illustrated endpapers; 376 pp.; 489 color illustrations. Accompanied the exhibition of the same name; Extensive text, including contributions by various authors, such as "Early Abstraction in Poland" by Jaroslaw Suchan, "Decoration and Abstraction in Bloomsbury" by Matthew Affron, "Music, Noise, and Abstraction" by Christoph Cox, and many more. "In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields."-publisher's description.