Ladders to Fire de Nin, Anais - 1995

Swallow Press, 1959-01-01. Paperback. Acceptable. 5x0x8.

Swallow Press, January 1959. Trade Paperback. Used - Acceptable. Shipping fee applies to first book, there is no additional shipping fee for addition books from our store. All of our books are in clean, readable condition (unless noted otherwise). Our books generally have a store sticker on the inside cover with our in store pricing. Being used books, some of them may have writing inside the cover. If you need more details about a certain book, you can always give us a call at 920-734-8908.

Swallow Press, 1959T. paperback. Good. 0.4000 8.4000 5.4000.

Ohio University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Ohio University Press. Used - Good. Used book that is in clean, average condition without any missing pages.

Athens, OH, U.S.A.: Swallow Press. 1995. 8vo - over 7¾" - 9¾" tall. Reprint Used. S Trade Paperback. Good - Cheap Reading Copy. Light wear to spine and wraps, name stamped in ink, ocassional underlining to text. A reading copy.

Swallow Press. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Athens, OH, U.S.A.: Swallow Press. 1995. 8vo - over 7¾" - 9¾" tall. Reprint Used. S Trade Paperback (stapled). Good. Light shelfwear and browning to wraps at edges.

Swallow Press, 1959-01-01. Paperback. Good. 5x0x8. Paperback book in good condition. Some light discoloration on the cover.

Swallow Press, 1959. Softcover. Good. 5x0x8. Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other. Nin herself memorably claimed that it was the fiction writer who edited the diary.