L'Attaque du Moulin Drame Lyrique en Quatre Actes d'après Emile Zola par Louis Gallet ... Répertoire Choudens ... Partition Chant et Piano. [Piano-vocal score]
de BRUNEAU, Alfred 1857-1934
- Usado
- Estado
- Ver descripción
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Syosset, New York, United States
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Paris: Choudens Fils [PN A.C. 9000], 1898. Large octavo. Quarter dark red morocco with marbled boards, raised bands on spine, titling gilt, initials "V.S." to foot, marbled endpapers. 1f. (recto title, verso blank), 1f. (recto dedication, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 273, [i] (blank) pp.
Named cast includes Vergnet, Bouvet, Mondaud, Clément, Belhomme, Leblanc, Delna, Laisné, E. Thomas, Artus, and Ragneau.
Binding slightly worn, rubbed, bumped, and shaken. Signature in black ink to free front endpaper. First Edition, later issue.
First performed in Paris to a libretto by Louis Gallet after Emile Zola at the Théâtre National de l'Opéra Comique on November 23, 1893, under Léon Carvalho.
"Bruneau's compositional approach to this opera is less imaginative than in his earlier works, if more unified .2.. The opera was widely performed throughout Europe and in the USA until the outbreak of World War I, and revived in 1922."
"Bruneau's ideas in general were constantly challenging tradition and his admiration for Wagner was based on his view that Wagner was the great liberator of 19th-century music. Although he used leitmotifs and owed a great deal to Wagner's chromatic language, his music is far less Wagnerian than that of many of his contemporaries and in his later music he used a plurality of musical languages and effects. [His] writings on music include important memoirs of Zola (Paris, 1932), a book on Massenet (Paris, 1935), essays outlining his own theory of opera (notably in Le Figaro and Rivista musicale italiana in 1897), and perceptive comments on other operas in reviews and articles." Richard Langham Smith in Grove Music Online.
Named cast includes Vergnet, Bouvet, Mondaud, Clément, Belhomme, Leblanc, Delna, Laisné, E. Thomas, Artus, and Ragneau.
Binding slightly worn, rubbed, bumped, and shaken. Signature in black ink to free front endpaper. First Edition, later issue.
First performed in Paris to a libretto by Louis Gallet after Emile Zola at the Théâtre National de l'Opéra Comique on November 23, 1893, under Léon Carvalho.
"Bruneau's compositional approach to this opera is less imaginative than in his earlier works, if more unified .2.. The opera was widely performed throughout Europe and in the USA until the outbreak of World War I, and revived in 1922."
"Bruneau's ideas in general were constantly challenging tradition and his admiration for Wagner was based on his view that Wagner was the great liberator of 19th-century music. Although he used leitmotifs and owed a great deal to Wagner's chromatic language, his music is far less Wagnerian than that of many of his contemporaries and in his later music he used a plurality of musical languages and effects. [His] writings on music include important memoirs of Zola (Paris, 1932), a book on Massenet (Paris, 1935), essays outlining his own theory of opera (notably in Le Figaro and Rivista musicale italiana in 1897), and perceptive comments on other operas in reviews and articles." Richard Langham Smith in Grove Music Online.
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Detalles
- Librería
- J & J Lubrano Music Antiquarians LLC (US)
- Inventario del vendedor #
- 29271
- Título
- L'Attaque du Moulin Drame Lyrique en Quatre Actes d'après Emile Zola par Louis Gallet ... Répertoire Choudens ... Partition Chant et Piano. [Piano-vocal score]
- Autor
- BRUNEAU, Alfred 1857-1934
- Estado del libro
- Usado
- Cantidad disponible
- 1
- Editorial
- Choudens Fils [PN A.C. 9000]
- Lugar de publicación
- Paris
- Fecha de publicación
- 1898
- Palabras clave
- 19th century French opera piano-vocal scores, 19th century French music
Términos de venta
J & J Lubrano Music Antiquarians LLC
All items may be returned within 7 days of receipt, packed, shipped and insured as received.
Sobre el vendedor
J & J Lubrano Music Antiquarians LLC
Miembro de Biblio desde 2008
Syosset, New York
Sobre J & J Lubrano Music Antiquarians LLC
Established in 1977, our firm is recognized as one of the leading international dealers in musical autographs and manuscripts; rare printed music; rare books, prints, drawings and ephemera relating to music and dance dating from the 15th to the 20th centuries.We were honored to be interviewed by Final Note Magazine. To read the article please go to the following URL: http://www.finalnotemagazine.com/music-antiquarians-john-and-jude-lubrano/
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Algunos términos que podrían usarse en esta descripción incluyen:
- Morocco
- Morocco is a style of leather book binding that is usually made with goatskin, as it is durable and easy to dye. (see also...
- Shaken
- A hardcover in which the text block is loose, but still attached to the binding.
- Marbled boards
- ...
- First Edition
- In book collecting, the first edition is the earliest published form of a book. A book may have more than one first edition in...
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
- Verso
- The page bound on the left side of a book, opposite to the recto page.
- Raised Band(s)
- Raised bands refer to the ridges that protrude slightly from the spine on leather bound books. The bands are created in the...
- Spine
- The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
- Octavo
- Another of the terms referring to page or book size, octavo refers to a standard printer's sheet folded four times, producing...