L'Estro Armonico Concerti Consacrati All' Altezza Reale Di Ferdinando III Gran Prencipe di Toscana Da D. Antonio Vivaldi Musico di Violino e Maestro de Concerti del Pio Ospidale della Pieta di Venezia Opera Terza Libro Primo. [Set of 8 parts of the first 6 concerti of opus 3]. [RV 549, 578, 310, 550, 519, and 356]
de VIVALDI, Antonio 1678-1741
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Syosset, New York, United States
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Sobre este artículo
Amsterdam: Estienne Roger ... & Michel Charles Le Cene [PN 50], 1723. Folio. Sewn.
Violino Primo: 1f. (title), [1] (blank), 2-23 pp.
Violino Secondo: [1] (blank), 2-15 pp.
Violino Terzo: [1] (blank), 2-14 pp.
Violino Quatro: [1] (blank), 2-12 pp.
Alto Primo: [1] (blank), 2-11 pp.
Alto Secondo: 1f. (title), [1],(blank), 2-11 pp.
Violoncello: [1] (blank), 2-13 pp.
Violone e Cembalo: [1] (blank), 2-14 pp.
Slightly worn and soiled; title slightly browned; minor browning throughout; some edges slightly soiled and frayed; occasional small stains; titles to Violino Primo and Alto Secondo only, titles to remaining parts lacking; remnants of carta rustica wrappers to Alto Secondo part. First Edition, [?]5th issue Rare. Ryom: Répertoire des Oeuvres d'Antonio Vivaldi. Les compositions instrumentales, p. 16 (5). RISM V and VV 2203.
"In 1711 Etienne Roger, the Amsterdam publisher, brought out what was to become the most influential music publication of the first half of the 18th century: Vivaldi's L'estro armonico op. 3, dedicated to Grand Prince Ferdinando of Tuscany; it comprised 12 concertos divided equally into works for one, two, and four solo violins. The third, fifth, and 12th concertos from op. 3 (along with the concerto published individually under the title 'The Cuckow,' RV 335), became staples of the repertoire of many violinists, were arranged for a variety of instruments, and were extracted for use in violin tutors throughout the 18th century and beyond. Nowhere was the enthusiasm for Vivaldi's concertos stronger than in Germany. Bach transcribed several of them (including five from op. 3) for keyboard, and his noble patron Prince Johann Ernst of Saxe-Weimar wrote concertos in Vivaldi's style." Michael Talbot, revised by Nicholas Lockey in Grove Music Online.
Violino Primo: 1f. (title), [1] (blank), 2-23 pp.
Violino Secondo: [1] (blank), 2-15 pp.
Violino Terzo: [1] (blank), 2-14 pp.
Violino Quatro: [1] (blank), 2-12 pp.
Alto Primo: [1] (blank), 2-11 pp.
Alto Secondo: 1f. (title), [1],(blank), 2-11 pp.
Violoncello: [1] (blank), 2-13 pp.
Violone e Cembalo: [1] (blank), 2-14 pp.
Slightly worn and soiled; title slightly browned; minor browning throughout; some edges slightly soiled and frayed; occasional small stains; titles to Violino Primo and Alto Secondo only, titles to remaining parts lacking; remnants of carta rustica wrappers to Alto Secondo part. First Edition, [?]5th issue Rare. Ryom: Répertoire des Oeuvres d'Antonio Vivaldi. Les compositions instrumentales, p. 16 (5). RISM V and VV 2203.
"In 1711 Etienne Roger, the Amsterdam publisher, brought out what was to become the most influential music publication of the first half of the 18th century: Vivaldi's L'estro armonico op. 3, dedicated to Grand Prince Ferdinando of Tuscany; it comprised 12 concertos divided equally into works for one, two, and four solo violins. The third, fifth, and 12th concertos from op. 3 (along with the concerto published individually under the title 'The Cuckow,' RV 335), became staples of the repertoire of many violinists, were arranged for a variety of instruments, and were extracted for use in violin tutors throughout the 18th century and beyond. Nowhere was the enthusiasm for Vivaldi's concertos stronger than in Germany. Bach transcribed several of them (including five from op. 3) for keyboard, and his noble patron Prince Johann Ernst of Saxe-Weimar wrote concertos in Vivaldi's style." Michael Talbot, revised by Nicholas Lockey in Grove Music Online.
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Detalles
- Librería
- J & J Lubrano Music Antiquarians LLC (US)
- Inventario del vendedor #
- 39410
- Título
- L'Estro Armonico Concerti Consacrati All' Altezza Reale Di Ferdinando III Gran Prencipe di Toscana Da D. Antonio Vivaldi Musico di Violino e Maestro de Concerti del Pio Ospidale della Pieta di Venezia Opera Terza Libro Primo. [Set of 8 parts of the first 6 concerti of opus 3]. [RV 549, 578, 310, 550, 519, and 356]
- Autor
- VIVALDI, Antonio 1678-1741
- Estado del libro
- Usado
- Cantidad disponible
- 1
- Editorial
- Estienne Roger ... & Michel Charles Le Cene [PN 50]
- Lugar de publicación
- Amsterdam
- Fecha de publicación
- 1723
- Palabras clave
- 18th century Italian chamber music
Términos de venta
J & J Lubrano Music Antiquarians LLC
All items may be returned within 7 days of receipt, packed, shipped and insured as received.
Sobre el vendedor
J & J Lubrano Music Antiquarians LLC
Miembro de Biblio desde 2008
Syosset, New York
Sobre J & J Lubrano Music Antiquarians LLC
Established in 1977, our firm is recognized as one of the leading international dealers in musical autographs and manuscripts; rare printed music; rare books, prints, drawings and ephemera relating to music and dance dating from the 15th to the 20th centuries.We were honored to be interviewed by Final Note Magazine. To read the article please go to the following URL: http://www.finalnotemagazine.com/music-antiquarians-john-and-jude-lubrano/
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Algunos términos que podrían usarse en esta descripción incluyen:
- Folio
- A folio usually indicates a large book size of 15" in height or larger when used in the context of a book description. Further,...
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
- Wrappers
- The paper covering on the outside of a paperback. Also see the entry for pictorial wraps, color illustrated coverings for...
- First Edition
- In book collecting, the first edition is the earliest published form of a book. A book may have more than one first edition in...
- Soiled
- Generally refers to minor discoloration or staining.