The Love Song of Miss Queenie Hennessy: A Novel

“If only memory were a library with everything stored where it should be. If only you could walk to the desk and say to the assistant, I’d like to return the painful memories about … and take out some happier ones, please”

The Lovesong of Miss Queenie Hennessy is the third novel by actress, radio playwright and author, Rachel Joyce, and is a companion volume to her first novel, The Unlikely Pilgrimage of Harold Fry. Queenie Hennessy is dying. When she hears that Harold Fry is walking from Devon to Berwick-upon-Tweed to save her, that all she has to do is wait, she is transported back twenty years to Kingsbridge, to the brewery, to her relationship with Harold Fry. Her guilt about the events of that time has haunted her ever since, but a volunteer nun at St Bernadine’s Hospice convinces her to write to Harold Fry, to confess the truth, finally, before she dies.

As Queenie fills her notebook, the events that led to her departure from Kingsbridge are revealed: some things, readers of Harold Fry will have suspected; others, they will have wondered about; and some will come as a complete surprise. Interspersed with her confessions are descriptions of Queenie’s Sea Garden and bits of everyday life in a hospice, some of which are hilarious (nutritional protein shakes that taste like wet cardboard, diversional therapy ideas, knitted syringe-driver covers), others, like the inevitable deaths, sad.

Joyce gives the reader a cast of quirky characters: naïve nuns (and some very wise ones); a cranky Scot; a foul-mouthed woman who loves hats and entering competitions; a one-armed man constantly in receipt of parcels and an inexperienced counselor. She gives Queenie many words of wisdom: “We write ourselves certain parts and then keep playing them as if we have no choice”; “I found out what was right only by getting it wrong”; “Sometimes people judge their happiness by the price they have to pay for it. The more they’ve spent, the happier they think they will be” and “…sometimes you cannot clear the past completely. You must live alongside your sorrow” are a few examples.

Joyce has, of course, ensured that the events of this novel dovetail perfectly with Harold Fry, and while Queenie Hennessy can be read independently of the earlier book, readers will find that the experience is much enhanced by reading Harold Fry first. Once again, the illustrations by Andrew Davidson are truly charming. Fans of Harold Fry will not be disappointed: if anything, Queenie Hennessy surpasses that book with its characters and also some lovely descriptive prose: “I have noticed the rain clouds drawing over the earth like a slate tablecloth and the wind beating at the black sea and tossing the gulls up and down like twists of white paper” and “The small leaves on the tree outside my window have stretched into green hands”. A delightful read.