Descripción:
Sydney: George Allen and Unwin in Association With Aperture. Near Fine in Near Fine dust jacket. 1984. Hardcover. 0868615242 . Edges and endpapers lightly foxed. Jacket lightly rubbed at corners; 4to 11" - 13" tall; 176 pages .
Magazine Work de Arbus, Diane - 1984
de Arbus, Diane
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Magazine Work
de Arbus, Diane
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- Bien
- Tapa dura
George Allen and Unwin in Association with Aperture, 1984. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
- Librería ThriftBooks (US)
- Formato/Encuadernación Tapa dura
- Estado del libro Usado - Good
- Cantidad disponible 1
- Encuadernación Tapa dura
- ISBN 10 0868615242
- ISBN 13 9780868615240
- Editorial George Allen and Unwin in Association with Aperture
- Fecha de publicación 1984
Tenemos 2 ejemplares disponibles a partir de EUR 31.09.
Magazine Work
de Arbus, Diane
- Usado
- Tapa dura
- Estado
- Usado - Near Fine in Near Fine dust jacket
- Encuadernación
- Hardcover
- ISBN 10 / ISBN 13
- 9780868615240 / 0868615242
- Cantidad disponible
- 1
- Librería
-
Kingscliff, New South Wales, Australia
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Diane Arbus: Magazine Work
de Arbus, Diane; Thomas Southall, Marvin Israel
- Usado
- Tapa dura
- Estado
- Usado - Near Fine. Damaged dustjacket.
- Encuadernación
- Hardcover
- ISBN 10 / ISBN 13
- 9780868615240 / 0868615242
- Cantidad disponible
- 1
- Librería
-
Fremantle, Western Australia, Australia
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Descripción:
Aperture, 1984. Hardcover in Dustjacket. Near Fine. Damaged dustjacket.. "Published just after her untimely death in 1971, this book--whether or not aided by the artist's notoriety--has achieved massive sales for a volume of such uncompromising photographs. Edited by Doon Arbus and Marvin Israel, its titled implies a mere trawl through her best-known images. It is that, but it also a brilliant exposé of American life. ... While it is true that she often photographed those outside society's norms, a more pertinent observation is that if she made 'normals' look like 'freaks', she also made 'freaks' look like 'normals'. Furthermore, her exploration of normalcy was complicated by gender issues. In her aggressive, full frontal 'exploitation' of her subjects, Arbus appropriated an essentially male convention: that of staring. Indeed, it may well be her assumption of this prerogative of masculine domination that has attracted much of the negative comment, compounded by her undercutting of gender…
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