Manuscript Painting in Paris During the Reign of St.Louis (Study in the History of Art) de Robert Branner - 1977-12

Berkeley ET AL: University of California Press. Very Good in Good+ dust jacket. 1977. Hardcover. 0520024621 . DJ spine has faded. ; California Studies In The History Of Art; 270 pages .

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

University of California Press, 1977-01-01. Hardcover. Good. Used - good - dust jacket shows moderate use wear with some fading to color along spine, several faint spots, and a small tear (1") at the lower front spine fold (has been taped on the inside with clear archival tape) - page edges show slight foxing - has a name inked on the ffep - a sound useful copy.

University of California Press. Used - Very Good. 1977. Hardcover. 4to. Cloth, d.j., protected by an acetate cover. Some shelf-wear and a few very small closed tears to d.j. Binding slightly shaken, but very sound. 412 black and white illustrations; 26 plates in color. Internally a very bright, clean copy. Very Good. (Subject: Medieval, Art & Illumination).

University of California Press. Near Fine in Near Fine dust jacket. 1977. First Edition. Hardcover. 0520024621 . Oversized blue cloth titled in gilt. Front board has faint indentations to top corner else a square tight copy. NAP first edition. The DJ in mylar has trace edgewear. ; California studies in the history of art .

University of California Press, 1977 4to (30 cm), font. in color, XXIV, 270 pp, 412 illustrations on unpaginated plates. Publisher's cloth and dust jacket (dj slightly sunned). "This is the first book in 70 years to examine the enormous variety and richness of Parisian manuscript painting in the middle half of the 13th century. Robert Branner is concerned with the identification and stylistic histories of the many ateliers of manuscript illumination active in Paris during this time, when production of luxury volumes by professional scribes and artists soared in response to demands of large and growing patronage that included the king and court, wealthy burgers, and well-to-do studens of the new University. A working list of manuscript grouped by ateliers is included in an appendix, and critical specimens of each shop style are reproduced in 428 illustrtions (26 in color)." (from the blurb)