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Oxford University Press, Incorporated, 1999. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.
Modern Art, 1851-1929: Capitalism and Representation de Brettell, Richard R - 1999
de Brettell, Richard R
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Modern Art, 1851-1929: Capitalism and Representation
de Brettell, Richard R
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New York: Oxford University Press; Oxford History of Art Ser., 1999. ix, 258 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Richard Brettell's innovative and beautifully-illustrated account, the latest addition to the acclaimed Oxford History of Art series, explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development of modern art such as urban capitalism, modernity, and the accessible image made possible by art museums, temporary exhibitions, lithography, and photography. Brettell examines artists' responses to modernism, including changes in representation, vision, and "the art of seeing." Combining the most recent scholarship with 140 illustrations--75 in full color--the book chronicles the change in art and image itself, from the iconology of new representations of the nude human form to the anti-iconography of 'art without "subject"': landscape painting; text and image; and abstraction. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media, and offering profuse illustration to bring the changing art forms vividly to life, Modern Art 1851-1929 presents a fresh approach to the fine art and photography of this remarkable era. / Richard Brettell, formerly Director of the Dallas Museum, is currently an independent consultant to museums around the world." - Publisher. . 1st. Paperback. Fine. 8vo.
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- ISBN 10 019284220X
- ISBN 13 9780192842206
- Editorial Oxford University Press; Oxford History of Art Ser.
- Lugar de publicación New York
- Fecha de publicación 1999
- Tamaño 8vo
- Size 8vo
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Modern Art 1851-1929 : Capitalism and Representation
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Modern Art 1851-1929 : Capitalism and Representation
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Oxford University Press, Incorporated, 1999. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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Oxford University Press, 7/22/1999 12:00:01 A. paperback. Acceptable. 0.6299 in x 9.3307 in x 6.5748 in. Ex-library paperback book with library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.
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Modern Art 1851-1929: Capitalism and Representation (Oxford History of Art)
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Modern Art 1851-1929: Capitalism and Representation (Oxford History of Art)
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Oxford: Oxford University Press, 1999. 258pp. Illus. Wear extremities, corners rough, light soiling.. Paperback. VG-.
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