Modern Bookbindings and Their Designers (from The Studio) de Holme, Charles (Ed) - 1899

Studio Limited, 1990. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Offices of "The Studio", 1907. Hardcover. Acceptable. 1907. No Edition Remarks. Unpaginated. No dust jacket. Grey cloth. Contains colour illustrated plates. Pages and plates are lightly tanned and foxed throughout. Cracking to gutters of a few pages with exposed binding. Light thumb-marking present. Binding is slightly shaky. Boards have moderate edge wear with bumping to corners and rubbing to surfaces. Crushing to spine ends with small splits and fraying to cloth. Small scuffed holes to cloth. Rubbed dark marking to surfaces. Small red marks to boards.

American Studio Books. Used - Good. Good condition. No Dust Jacket Slightly dampstained.

New York: Dorset Press, 1990. Hardcover. Good/Fair. 1990. Hardcover. Good. DJ. Dust jacket in fair condition with creases up top. 284p. Over 150 illustrations.

NY: Dorset Press, 1990. Textblock and binding is clean and tight. rubbed, unclipped dust jacket with several closed edge tears and mioderate shelf and corner wear; 284pp. . Reprint. Cloth. Very Good+/Good. Illus. by Drawings, Photographs. Folio - over 12" - 15" tall. Hard Cover.

London, The Studio. 1908, 1908. Paperback. Fair. 1st edn. PB. D4. G-. Spine and covers grubby, spine torn and detaching from bindin, covers dog-eared, some pages also, binding very weak. "Written by Aymer Vallance, with a Note on the First Century of English Engraving by Malcolm C. Salaman. Illustrations after drawings by Wilfrid Ball R.E., Harry P. Clifford R.B.A., E. Arthur Rowe and William Twopenny.

Facsimile Publisher , pp. 100 . Hardback. New.

The Studio, 1918. Hardcover. Acceptable. 1918. No Edition Remarks. 36 pages. No dust jacket. Blue cloth boards with gilt lettering. Contains colour illustrations. Slight crinkling to paper at gutter. Pages and illustrations are heavily tanned and foxed with visible markings throughout. Binding throughout is slightly loose, however all page remain attached. Pencil markings to front free endpaper. Moderate water staining to illustrations. Boards have heavy edge-wear with bumping to corners, crushing to spine ends and rub wear all over. Moderate crushing to spine ends. Gilt lettering is darkened. Heavy wear marks to boards.

The Studio, 1910. Hardcover. Acceptable. 1910. No Edition Remarks. 31 pages. No dust jacket. Blue cloth. Black and white and colour illustrated plates throughout. Slight cracking to gutters causing binding to be loose, however pages remain attached. Pages and plates have light tanning and foxing throughout. Previous owner's inscription to front free endpaper. Boards have moderate shelf-wear with bumping to corners and rubbing to surfaces. Light tanning to spine and edges with crushing to spine ends. Splits to spine ends causing cloth to be frayed. Wear marks overall.

London (etc.): The Studio, 1906. first edition; tall quarto, xi, [1], xlii, [2] pp., 40 color plates; quarter vellum faded and rubbed with spine hand lettered but still sound, book plates of previous owners, overall good; a companion volume to the author's Old Water-Colour Society about The Royal Society of Painters in Water-Colours even though the two organizations were rivals. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.