Nanao Knows (Broadside)
de Gary Snyder (signed)
- Usado
- Aceptable
- Firmado
- First
- Estado
- Aceptable
- Librería
-
La Grande, Oregon, United States
Formas de pago aceptadas
Sobre este artículo
San Francisco: Four Seasons Foundation, 1964. 1st Edition. No Binding. Fine. A 12 1/2 x 9 5/8 inch broadside, a black photo-offset of the poet's holograph poem "Nanao Knows" on white textured stock. This broadside is one of three that were sold at the legendary June 12, 1964 "Freeway Reading" at Longshoreman's Hall in San Francisco, which is perhaps second in SF Beat mythos only to the seminal Six Gallery Reading. The reading featured Gary Snyder, Philip Whalen, and Lew Welch. Gary Snyder was just back from Japan, which was in part the impetus. Produced by Donald Allen at the beginning of his editorial career, these broadsides represent the first Four Seasons Foundation publications; Allen went on to found Grey Fox Press and edit the influential *The New American Poetry* anthology which touted the Beats. Each from an edition of 300 signed by the poets. "Nanao Knows" honors Snyder's great friend Nanao Sakaki, the Kyoto poet later dubbed "the godfather of Japan's hippies." A fine copy.
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Detalles
- Librería
- Rural Hours
(US)
- Inventario del vendedor #
- ABE-1692404777460
- Título
- Nanao Knows (Broadside)
- Autor
- Gary Snyder (signed)
- Formato/Encuadernación
- No Binding
- Estado del libro
- Usado - Aceptable
- Cantidad disponible
- 1
- Edición
- 1st Edition
- Editorial
- Four Seasons Foundation
- Lugar de publicación
- San Francisco
- Fecha de publicación
- 1964
Términos de venta
Rural Hours
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Sobre el vendedor
Rural Hours
Miembro de Biblio desde 2023
La Grande, Oregon
Sobre Rural Hours
Rural Hours (formerly Wood + River = Books, est. 2019) specializes in ecology, natural history, nature writing, the environment, environmental literature, and contemporary essay, with a special passion for association copies and notable inscriptions. We draw our name from the popular-but-then-forgotten book by Susan Fenimore Cooper (published in 1850), generally considered the first work of environmental creative nonfiction by a woman in the U.S. We are interested in challenging and expanding the canon of environmental literature and finding books that tell remarkable stories and illuminate the tradition of writing about place and natural history.
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