October - Spring 1987 - No 40 - Art, Theory, Criticism, Politics de Joan ; Crimp, Douglas ; Krauss, Rosalind ; Michelson, Annette (editors) Copjec - 1987

MIT Press Journals, 1982-01-01. Paperback. Good. [NB10 al.1 3.21.14] Paperback. Same edition as stated. Same edition as pictured. Bumped corners. Edge wear. No writing or markings on pages within. Staining to covers.

MIT Press, 1988-01-01. Paperback. Good. [nb10 al.1 3.21.14] Paperback. Same edition as stated. Same edition as pictured. Bumped corners. Edge wear. No writing or markings on pages within. Light creasing to corners of covers.

Cambridge, MA: MIT Press Journals. As New. 1987. First Edition. Paperback. 0262751917 . Softcover. Covers clean and sharp, mild sunning to spine. Book is firm in binding, b&w photographs, clean interior. Contains essays by Giuliana Bruno - 'Ramble City: Postmodernism and Blade Runner'; Ann Smock - 'Learn to Read, She Said'; and more. Free of any markings, not ex-library. ; 8vo 8" - 9" tall; 118 pages .

MIT, 1989. Soft cover. Good/No jacket. Spine is faded. Cover is faded and has dust smudges. Back cover has a few dents. Edge wear. Inside pages are largely clean and unmarked.

MIT Press, 1989 Softcover, October 50, Fall '89, Zizek, Copjec & others, no markings, no creases, pristine unused copy; octavo; 117pp illus. Soft Cover. Fine.

Cambridge, MA: MIT Press, 1988. Reprint. Paper Back . Very Good. OCTOBER: The First Decade brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory. 2nd printing [6 & 3/4' x 9'] Mild soiling/dust staining to margins. [456 pages]

Cambridge, Mass: MIT Press, 1989. Softcover. Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wraps have edge rubbing, light shelf and handling wear, light soiling. ; Contents: de Duve, Andy Warhol, or the machine perfected. Koch, The aesthetic transformation of the image of the unimaginable: notes on Claude Lanzmann's Shoah. Huyssen, Anselm Kiefer: the terror of history, the temptation of myth. Rentschler, Fatal attractions: Leni Riefenstahl's The Blue Light. Crimp and Deutsche, Hans Haacke's contribution to Points of Reference 38/88. Werner Fenz, Protocols of the exhibition Points fo Reference 38/88; The monument is invisible, the sign visible. Haacke, Und ihr habt doch gesiegt, 1988. Buchloh, A note on Gerhard Richter's October 18, 1977; Correction to October 45. ; 9.0" tall; 110 pages.

Cambridge, Mass: MIT Press, 1989. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. ; Contents: Modleski, Some functions of feminist criticism, or the scandal of the mute body. Michaud, Van Gogh, or the insufficiency of sacrifice. Hollier, French customs, literary borders. Copjec, The orthopsychic subject: film theory and the reception of Lacan. de Duv, Yves Klein, or the dead dealer. Miller, Sontag's urbanity. Weiss, A new history of the passions. ; 9.0" tall; 112 pages.

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 50: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1989. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good -. 117pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Body's Shadow Realm - Gertrud Koch; Looking Awry - Slavoj Zizek; The Sartorial Superego - Joan Copjec; Spectacle, Attention, Counter-Memory - Jonathan Crary; The Rock 'n' Roll Ghost - Andrew Ross. An internally most handsome example showing a diagonal soft crease to the rear cover through the lower foredge corner and some chipping of the wrappers along the spine. It has been priced… Leer más

Cambridge MA: MIT Press, 1988. Paperback in very good condition. This edition contains an article by the German philosopher, Walter Benjamin, 'Religious Study of Art'. Light shelf and handling wear, including several minor dog-eared pages at front leading edge bottom corner, and small closed tear to rear cover edge. Cover lightly tanned. Within, pages are tightly bound, and content is unmarked. CN. Paperback. Very Good. Used.