[Original Theatrical Still Photograph for:] THE HOMECOMING de [Pinter, Harold (sourcework)]: Halsman, Philippe [photographer] - 1967

[Np: The Photographer, ca. 1963].. Two original glossy double-weight gelatin silver prints from negatives, 11 x 14" (inclusive of margins). Captioned in pencil on verso. About fine. Original prints of two of the most memorable of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present images are an extraordinary pair of photographs, one from a near face-on p.o.v., the other from right profile, of a large group of Zulu tribesmen, in warrior regalia, seated and watching a motion picture (in the first of the images the 16mm projector is visible in the background). The expressions of wonder and amusement are matchless. The pencil caption on the verso reads of the first reads: "The Zulus watched a western movie at dusk outdoors in the… Leer más

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 14 x 11" (inclusive of margins). Captioned in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image, an imposing portrait of future political leader Mangosuthu Buthelezi in character as Zulu King Cetshwayo kaMpande, shows the subject seated in a substantial throne-like setting, in company with a woman (identified as "Christabel" in the pencil caption) and a young boy (identified as "Daniel Tchabalala" in the pencil caption. The image is identified as "No. 5-15" in the series. Although this project is not as widely known as Karsh's formal portraiture, examples of the resulting… Leer más

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 14 x 11" (inclusive of margins). Numbered in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image is a beautiful 3/4-length photograph of two Zulu tribeswomen in ceremonial dress, including feathered headgear, small shields and short spears, with partial figures of other women in similar dress in the background. The image is identified in pencil on the verso as "No. 109" in the series. Although this project is not as widely known as Karsh's formal portraiture, examples of the resulting images have featured prominently in both museum and print retrospectives of his career.

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 11 X 14" (inclusive of margins, image size 10.75 x 12.5"). Captioned in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image, half-length formal portrait of future political leader Mangosuthu Buthelezi in character as Zulu King Cetshwayo kaMpande, shows the subject from waist up, dressed in animal skins, with an enormous elephant tusk arching in the background. The image is identified as "No. 5-17" in the series and captioned "Chief Butalezi [sic] in his ancestral robes." Although this project is not as widely known as Karsh's formal portraiture, examples of the resulting… Leer más

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 14 x 11" (inclusive of margins). Captioned in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image, is an informal portrait of future political leader Mangosuthu Buthelezi in character as Zulu King Cetshwayo kaMpande, standing in front of his house, with his mother, Constance Mhlungu, in the foreground, playing a tall stringed instrument. The image is identified as "No. 479" in the series, and captioned: "Constance Mhlungu, Zulu princess and musician-composer, with her son, Chief Butalezi [sic], on the steps of their home in Zululand." Although this project is not as widely… Leer más

[Np: The Photographer, ca. 1963].. Two original glossy double-weight gelatin silver prints from negatives, 11 x 14" (inclusive of margins). Captioned in pencil on verso. About fine. Original prints of two of the most memorable of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present images are an extraordinary pair of photographs, one from a near face-on p.o.v., the other from right profile, of a large group of Zulu tribesmen, in warrior regalia, seated and watching a motion picture (in the first of the images the 16mm projector is visible in the background). The expressions of wonder and amusement are matchless. The pencil caption on the verso reads of the first reads: "The Zulus watched a western movie at dusk outdoors in the… Leer más

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 14 x 11" (inclusive of margins). Captioned in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image, an imposing portrait of future political leader Mangosuthu Buthelezi in character as Zulu King Cetshwayo kaMpande, shows the subject seated in a substantial throne-like setting, in company with a woman (identified as "Christabel" in the pencil caption) and a young boy (identified as "Daniel Tchabalala" in the pencil caption. The image is identified as "No. 5-15" in the series. Although this project is not as widely known as Karsh's formal portraiture, examples of the resulting… Leer más

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 14 x 11" (inclusive of margins). Numbered in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image is a beautiful 3/4-length photograph of two Zulu tribeswomen in ceremonial dress, including feathered headgear, small shields and short spears, with partial figures of other women in similar dress in the background. The image is identified in pencil on the verso as "No. 109" in the series. Although this project is not as widely known as Karsh's formal portraiture, examples of the resulting images have featured prominently in both museum and print retrospectives of his career.

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 11 X 14" (inclusive of margins, image size 10.75 x 12.5"). Captioned in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image, half-length formal portrait of future political leader Mangosuthu Buthelezi in character as Zulu King Cetshwayo kaMpande, shows the subject from waist up, dressed in animal skins, with an enormous elephant tusk arching in the background. The image is identified as "No. 5-17" in the series and captioned "Chief Butalezi [sic] in his ancestral robes." Although this project is not as widely known as Karsh's formal portraiture, examples of the resulting… Leer más

[Np: The Photographer, ca. 1963].. Original glossy double-weight gelatin silver print from negative, 14 x 11" (inclusive of margins). Captioned in pencil on verso. About fine. An original print of one of the sequence of superb photographs taken by Yousuf Karsh on location in South Africa during the filming of the 1964 Diamond Films production, ZULU, directed by Cy Endfield. Karsh's invitation to join the production and photograph the cast and locale resulted in a sequence of photographs of a very high order. The present image, is an informal portrait of future political leader Mangosuthu Buthelezi in character as Zulu King Cetshwayo kaMpande, standing in front of his house, with his mother, Constance Mhlungu, in the foreground, playing a tall stringed instrument. The image is identified as "No. 479" in the series, and captioned: "Constance Mhlungu, Zulu princess and musician-composer, with her son, Chief Butalezi [sic], on the steps of their home in Zululand." Although this project is not as widely… Leer más