Panofsky and the Foundations of Art History de Holly, Michael Ann - 1994

Cornell University Press, 1985-07-02. Paperback. Good. 0.4000 in x 8.4000 in x 5.5000 in. Light general age wear. Foxing.

Cornell University Press, 1985. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Cornell University Press, 1985. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Cornell University Press. Used - Good. Used book that is in clean, average condition without any missing pages.

Cornell University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Cornell University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Cornell University Press. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Ithaca, NY: Cornell University Press, 1985. Paperback. Very Good. Unmarked text. Notes. Bibliography. Index. 267p. Measures 5.5x8.5 inches. This volume explores the intellectual origins of contemporary art history. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors in art history.

Ithaca and London: Cornell University Press, 1985. Rebound in library boards, 267 pages; 22 cm. Withdrawn from library collection, with usual markings, otherwise very good. No writing in text.. Paperback. Good/No DJ. 8vo.

Cornell Paperbacks. First printing. Softcover volume, measuring approximately 5.5" x 8.5", shows very light shelfwear. Binding is sound. Pages are clean and bright. 267 pages."No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art historians today do not have access to the full range of methodological considerations and possibilities that Panofsky's thought offers, and they often remain unaware of the significant role art history played in the development of modern humanistic thought. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors -- Riegl, Wölfflin, Warburg, and Dvorák, among others. She also discusses how Panofsky's struggle… Leer más