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Princeton University Press, 1992-10-19. paperback. Used: Good.
Parallel Visions : Modern Artists and Outsider Art de Carol S. Eliel; Maurice Tuchman - 1992
de Carol S. Eliel; Maurice Tuchman
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Parallel Visions : Modern Artists and Outsider Art
de Carol S. Eliel; Maurice Tuchman
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Princeton University Press, 1992. Paperback. Very Good. Disclaimer:May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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- ISBN 10 0691000395
- ISBN 13 9780691000398
- Editorial Princeton University Press
- Fecha de publicación 1992
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Parallel Visions: Modern Artists and Outsider Art
de Tuchman, Maurice
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HOUSTON, Texas, United States
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Parallel Visions: Modern Artists and Outsider Art
de Tuchman, Maurice; Eliel, Carol S
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Portland, Oregon, United States
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Princeton University Press, 1992-10-18. First Edition. Paperback. Very Good. 9x1x11. Clean and tight with minor shelf wear. Previous owner's name on FFEP. Text and images unmarked.
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Modern Artists and Outsider Art
de Maurice Tuchman; Carol S. Eliel
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Berkeley, California, United States
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Princeton University Press, 1993. Softcover. Very good. Very good condition.
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Parallel Visions: Modern Artists and Outsider Art
de Tuchman, Maurice; Eliel, Carol S
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Los Angeles, California, United States
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Princeton University Press / Los Angeles County Museum of Art. Near Fine. 1992. First Printing. Soft Cover. 0691000395 . Profusely illustrated in color and black and white. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ramirez, P. M. Wentworth, Adolf Wolfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Published on the occasion of the exhibition, October 18, 1992 - January 3, 1993. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 334 pages .
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Parallel Visions: Modern Artists and Outsider Art
de Tuchman, Maurice; Eliel, Carol S
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Princeton University Press. Fine. 1992. First Edition; First Printing. Soft Cover. 0691000395 . Profusely illustrated in color and black and white. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ramirez, P. M. Wentworth, Adolf Wolfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Published on the occasion of the exhibition, October 18, 1992 - January 3, 1993. ; Tight, clean and crisp. No inscriptions. Not ex-library. In excellent condition. As New. ; 4to; 334 pages .
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PARALLEL VISIONS Modern Artists and outsider Art
de Tuchman, Maurice; Elirl, Carol S
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Burnaby, British Columbia, Canada
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Los Angeles / Princeton : Los Angeles County Museum of Art / Princeton University Press, 1992. (USA) Presumed 1st edition, No markings, about Fine. Wraps with flaps, [336]pp, index, colour reproductions of artworks augmented with B&W photos and illus. Parallel Visions, an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of twentieth-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ram!rez, P. M. Wentworth, Adolf Wlfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition, Maurice Tuchman and Carol S. Eliel, and by other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and…
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Parallel Visions: Modern Artists and Outsider Art
de Tuchman, Maurice, and Carol S. Eliel
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Tipp City, Ohio, United States
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Los Angeles County Museum of Art/Princeton University Press, 1993. 334pp. Lavishly illustrated catalog of the October 18, 1992-January 3, 1993, exhibition. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ramirez, P.M. Wentworth, Adolf Wolfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition and other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and our notions of creativity.. Soft Cover. Near Fine. Quarto.
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Parallel Visions Modern Artists and Outsider Art
de Maurice Tuchman; Carol S. Eliel
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Spring Branch, Texas, United States
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Softcover with jacket. Fine. 1st edition
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Parallel Visions: Modern Artists and Outsider Art
de Tuchman, Maurice, and Carol S. Eliel
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South Pasadena, California, United States
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Los Angeles: Los Angeles County Museum of Art / Princeton University Press, 1992. Softcover. Fine. Softcover in illustrative wraps. Fine , unused condition. Published to accompany an exhibition of the same name that launched in Los Angeles at LACMA in 1962 and then traveled to Madrid, Basel, and Tokyo. Illustrated throughout. 4to. 334 pp.
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Parallel Visions: Modern Artists and Outsider Artists
de Maurice Tuchman and Carol S. Eliel; Barbara Freeman and Russell Bowman, Roger Cardinal, Sander L. Gilman, Mark Gisbourne, Reinhold Heller, John M. MacGregor, Donald Preziosi, Allen S. Weiss, Jonathan Williams, and Sarah Wilson
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Houston, Texas, United States
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Los Angeles County Museum of Art, Los Angeles CA, 1992. Book. Fine Condition. Stiff Wrappers. 333 pages 245 illustrations most in color. Illustrated wraps. Some fading to the paper spine. Published on the occasion of the exhibition from the Los Angeles County Museum of Art, Los Angeles CA October 18, 1992-January 3, 1993, Museo Nacional Reina Sofia, Madrid February 11-May 9, 1993, Kunsthalle Basel July 4-August 29, 1993, and the Seragaya Art Museum, Tokyo September 30-December 12, 1993. Checklist of the Exhibition. A brochure on the exhibition is laid-in to the back. .
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