Paris: Capital of the Arts: 1900-1968 de Eric de Chassey

Thames & Hudson, Limited. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Thames & Hudson, Limited. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Thames & Hudson, 2002. 1st Edition . Soft cover. Fine. Folio - over 12 - 15" tall. Fine copy in fine dustwrapper No additions Heavy book - I mail at cost so extra mailing mayl be requested.

London: Thames & Hudson. 448pp hardback, red cloth silver-lettered in wrapper, well illustrated, very good in a very good wrapper . Very Good. Hardcover. 1st Edition. 2002.

London: Royal Academy of Arts; Prestel, 2002. Cloth, 445 pages, illustrations; 30 cm. Exhibition held at the Royal Academy of Arts, January 26 to April 19, 2002 and Guggenheim Museum, Bilboa, May 21 to September 3, 2002. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Montmartre: artistic revolution, by Nicholas Hewitt; Paris: the arts and the 'Internationale de l'esprit', by Gladys Fabre; Montparnasse and the right bank: myth and reality, by Simonetta Fraquelli; At one remove: Parisian modernists on the Cote d'Azur, by Kenneth Silver; Saint-Germain-des-Pres: antifascism, occupation and postwar Paris, by Sarah Wilson; Paris from behind the Iron Curtain, by Katarzyna Murawska-Muthesius; Paris in the 1960s: towards the barricades of the Latin Quarter, by Sarah Wilson; Paris-New York: rivalry and denial, by Eric de Chassey.. 1st.… Leer más

London: Royal Academy of Arts, 2002. Book. Fine. Hardcover. Folio - over 12 - 15" tall. Red cloth with title in silver on spine. Condition: Fine, binding sound, no inscriptions. Dustjacket condition: Fine. 445pp. Many colour illustrations. This cataogue was published to accompany the exhibition held at the Royal Academy of Arts, London from 26 January to 19 April 2002 which then toured to the Guggenheim Museum, Bilbao. The exhibition charted the influential progress of the visual arts in France from 1900-1968. Key figures of the modern movement, such as Matisse, Leger, and Duchamp were joined there by many artists from abroad, including Picasso, Kandinsky, Giacometti, Brancusi, Modigliani and Foujita to create an extraordinarily fertile environment for artistic innovation. After the war, a new generation of artists such as Tinguely, Saint Phalle and Kelly savoured the dynamism of Paris in the 1950s and 1960s..