Picasso. Dessins D'un Demi-Siecle - Berggruen Et Cie. Lithographic Poster -

No Place: The Artist Edward Glannon, born Pennsylvania Oct. 2, 1911, died New york, May 28, 1992. Painter, lithographer, and teacher, his works are in numerous museums and private collections. This lithograph is Fine, 5 1/4" x 7", image size 4 3/8" x 5 7/8", title lower left and signature lower right, both in pencil, undated. Glannon took up lithography in his 60s. An utterly charming print. . Print. Fine. 5 1/4" x 7".

No Place: The Artist Edward Glannon, born Pennsylvania Oct. 2, 1911, died New york, May 28, 1992. Painter, lithographer, and teacher, his works are in numerous museums and private collections. This lithograph is Fine, 5 1/4" x 7", image size 4 1/4" x 6", signature lower right, in pencil, undated. Glannon took up lithography in his 60s. An utterly charming print depicting a cardinal in snow by a rail fence. . Print. Fine. 5 1/4" x 7".

The Artist Image Size 7 3/4" x 9 3/4", Mat Size, 14" x 17". Pencil SIGNED "Christian L. Dull" lower right. Untitled, know as "West Wind", undated, circa 1934. Print is Fine, new acid free mounts to original mounting board, original mat torn at lower left opening. Best known for his prints, Dull also worked in watercolor and oils. His prints are SCARCE in today's market. . SIGNED BY ARTIST. First Printing. Print. Fine.

Paris: Galerie Lutetia, 1926. Signed oval shape drypoint etching with aquatint, and small detail coloured by hand. Circa 1926, Paris. The etching depicts Pierrot in an embrace with a woman, watched from the bushes by Harlequin. The work is signed in pencil by Jean Hardy on the bottom, lower right. Numbered in pencil # 165 of 350. In plate: Paris, copyright Galerie Lutetia. Print is now unframed, in excellent condition, with just the edges showing signs of previous framing. 510 x 610 mm (20 x 24 inches). Gravure à la pointe sèche de forme ovale signée à l'aquatinte, et petit détail colorié à la main. Vers 1926, Paris. La gravure représente Pierrot dans une étreinte avec une femme, observé depuis les buissons par Arlequin. L'oeuvre est signée au crayon par Jean Hardy en bas, en bas à droite. Numéroté au crayon # 165 sur 350. Dans la planche : Paris, copyright Galerie Lutetia. L'impression est maintenant non encadrée, en excellent état, avec juste les bords montrant des signes… Leer más

New York, Touchstone Press with the cooperation of the Tribune Subway Gallery, 1948. Soft portfolio. 9 x 12 inches. Very Good. Nine of the original loose eleven black and white plates (plus cover art) in slightly worn portfolio. Contents clean, slightly toned. Please note: Text introduction by Anges Smedley missing. Communist era China, revolutionary period.

Hard cover Folio (15 x 12 in). Original gilt tooled full brown morocco, edges gilt marbled endpapers. Pages complete xxiv + 180, with 250 full-page black and white engravings on card with captioned tissue-guards.Containing two hundred and fifty beautiful engravings selected from the Dore Bible, Milton, Dante's Inferno, Purgatorio and Paradiso, Atala, Fontaine Fairy Realm, Don Quixote, Baron Munchausen, Croquemitaine with critical essays by Edmund Ollier.Page edges lightly scuffed and rubbed with some small scratches to cover boards - some remedial work done to secure the cover boards and spine, but otherwise good. Card plates bright but some foxing to the outer edges. Some foxing to the later text pages.The plate index is a little tricky to use, but all plates are present with the following corrections:Plate 75 misplaced to p130, plate 91 misplaced to p95.Note: This volume is heavy (38x31x10cm, approx 10kg). Arrangements can be negotiated for the most cost effective method of delivery.

Paris: Rombaldi, 1946. Livre. Illus. by Robert Lotiron. Très bon. En Feuilles. Signé par l'illustrateur. Ed. originale. In-folio. Paris, Rombaldi, 1946. Coll. "Les Maîtres de l'estampe française contemporaine" (n° 5). 38,5 x 28,5 cm, in-folio, 2 ff. bl. - 6 ff. n. ch. portant 2 eaux-fortes dans le texte - 10 estampes (4 lithographies en noir, 2 lithographies en couleurs, 4 eaux-fortes) toutes numérotées et signées par l'artiste à la mine de plomb et montées sous passe-partout - 3 ff. n. ch. - 3 ff. blancs, en feuilles sous couverture blanche rempliée et imprimée et portefeuille de l'éditeur. Tirage limité à 100 exemplaires sur vélin pur fil de Lana. Celui-ci n° 29. Bel exemplaire. (MONOD, 7348) (2,5 kg).

Stuttgart Verlag v. Krais & Hoffmann, Germany, 1868; Magnificent hand colored copper engraving of the colossal Macrodontia cervicornis or "Sabertooth Longhorn Beetle," pictured together with 20 additional species of exotic beetle. Macrodontia, native to the South American rain forest, is one of the world’s largest beetles, reaching an adult size of over 8 1/4". An original double plate illustration plate from C.F.A. Kolb’s Naturgeschichte des Tierreichs, published at Stuttgart in 1868. An engraved identification key in the bottom margin lists theLatin binomial and German common name for each beetle pictured. Hinged and matted entirely acid free, ready for framing. Full sheet 13 1/4" x 16", matte window 12 3/4" x 14 1/4", outside matte dimensions 18" x 19 1/2". Fine condition, clean, bright, colors vivid. Scarce.

London: R. Bowyer Historic Gallery, 1801. Very Good. 1 aquatint engraving 316 x 460 mm. (image is 235 x 313 mm.). In Very Good Condition: minor soiling in margins; light creasing along lower edge; otherwise, clean and bright.

Paris: Galerie Lutetia, 1926. Signed oval shape drypoint etching with aquatint, and small detail coloured by hand. Circa 1926, Paris. The etching depicts Pierrot in an embrace with a woman, watched from the bushes by Harlequin. The work is signed in pencil by Jean Hardy on the bottom, lower right. Numbered in pencil # 165 of 350. In plate: Paris, copyright Galerie Lutetia. Print is now unframed, in excellent condition, with just the edges showing signs of previous framing. 510 x 610 mm (20 x 24 inches). Gravure à la pointe sèche de forme ovale signée à l'aquatinte, et petit détail colorié à la main. Vers 1926, Paris. La gravure représente Pierrot dans une étreinte avec une femme, observé depuis les buissons par Arlequin. L'oeuvre est signée au crayon par Jean Hardy en bas, en bas à droite. Numéroté au crayon # 165 sur 350. Dans la planche : Paris, copyright Galerie Lutetia. L'impression est maintenant non encadrée, en excellent état, avec juste les bords montrant des signes… Leer más