Pictorialism Into Modernism: The Clarence H. White School of Photography de Yochelson, Bonnie - 1996

Rizzoli International Publications, Incorporated, 1996. Hardcover. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Rizzoli International Publications, Incorporated, 1996. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Rizzoli, 1996-03-15. Hardcover. Good.

H. Good.

New York: Rizzoli. Fine copy in fine dust jacket. 1996. 1st. hardcover. 4to, 207 pp., Edited by Marianne Fulton. .

The Clarence H. White School of Photography. NY: Rizzoli, (1996). Text by Bonnie Yochelson and Kathleen A. Erwin. Several b/w and sepia toned photographs. 207 pp. Hardcover. 4to size. Black paper covered boards. Mild shelf wear. Else near fine. Clean, tight and bright. Dj is in like condition. Still in shrink-wrap Very good+/Very good+.

Rizzoli, 1996-03-15. Hardcover. Very Good. 1st Edition. Tight binding. Clean unmarked text and covers. Very light soiling to edges. VG+ DJ with a small wrinkle at the head of the spine. Book and DJ could easily be rated like new. Earthlight Books is a family owned and operated, independent bookstore serving Walla Walla, Washington since 1973.

New York: Rizzoli, 1996. 207pp, checklist, biographies, notes, num bw & some col ills. Black cloth in jacket. Light edge wear to jacket.. First Edition. Hard Cover. Very Good/Very Good. 4to.

New York: Rizzoli, 1996. Hardcover. VG/VG. Black cloth boards with stamped lettering on front, silver lettering on spine, bw illustrated dust jacket, 207 pp, profusely illustrated in bw. This book presents the first comprehensive examination of the photographic work and teaching of Clarence H. White and his students, who were New York's vanguard art photographers in the first half of this century. The incisive texts, written by two White scholars, examine the social context of White's ideologies, and arts and crafts principles. These beautifully reproduced images reveal the photographic work of White and his students, which is based on the aesthetic principles that formed the foundations of modernism. Catalog of an exhibition beginning at the Detroit Institute of Arts, Mar. 23-May 26, 1996, and traveling to various other museums, 1996-1998. Includes bibliographical references and index.

NY: Rizzoli, 1996. 1st. Hardcover. Very Good/Very Good. Hardcover, 208 pages. Pictorial photography is noted for its artistic expressiveness, careful design and composition, and muted focus. In 1914 Clarence White (1871-1925) left Alfred Stieglitz's Photo-Secession group, abandoned his ambitions to be a photographic illustrator, and opened the Manhatten-based Clarence H. White School of Photography. Lecturers at his school included Stieglitz, Paul Strand, and Edward Steichen. White's unique teaching skills, especially his encouragement of women students, nurtured the careers of such talented photographers as Margaret Bourke-White, Laura Gilpin, and Dorothea Lange. Presented by the Detroit Institute of Arts and the George Eastman House, this companion volume for a traveling exhibition contains the elegant photographic imagery of White and his students. The clear text by two photography curators imparts how the revered teacher's romantic pictorialism became the foundation for the student's avant-garde… Leer más