The Poetical Works of Thomas Moore. [Fore-Edge Painting].

London: Frederick Warne and Co., n.d.. The Albion edition of Moore's poetical works. Octavo, bound in full polished tree calf with elaborate gilt tooling to the spine in six compartments within raised gilt bands, morocco spine label lettered in gilt, gilt ruling to the front and rear panels, gilt turn-ins and inner dentelles, marbled endpapers, all edges gilt, tissue-guarded engraved frontispiece portrait of Moore. With a double concealed fore-edge painting revealing two golfing scenes. In very good condition. The first known example of a disappearing fore-edge painting (where the painting is not visible when the book is closed) dates back to 1649. Around 1750, the subject matter of fore-edge paintings changed from simply decorative or heraldic designs to landscapes, portraits and religious scenes, usually painted in full color. The technique was popularized in the 18th century by John Brindley (1732-1756), publisher and bookbinder to the Prince of Wales and Edwards of Halifax, a distinguished family of bookbinders and booksellers. The majority of extant examples of fore-edge paintings date to the late 19th and early 20th century on reproductions of books originally published in the early 19th century, including the present volume.