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Print of Edward Weston portrait of Robinson Jeffers, inscribed by Jeffers
de Edward Weston; Robinson Jeffers
- Usado
- near fine
- Firmado
- Estado
- Near Fine
- Librería
-
La Grande, Oregon, United States
Formas de pago aceptadas
Sobre este artículo
No Binding. Near Fine. A print of a well-known Edward Weston portrait of Robinson Jeffers with a pipe in hand (not an original photo) inscribed by Jeffers: "To William W. Seward, Jr., with best wishes, Robinson Jeffers, Tor House, Carmel, California. October, 1942." Ink of the inscription has faded slightly. The image is approx. 6 x 8", the narrow black wood frame is approx. 14.25 x 12.25". The print is near fine with slight bumping/creasing to corners. The frame is very near fine with a few scratches, no distraction. The matte is fine, though the cut is fading a bit, suggesting it is non-archival and could be replaced for best presentation. A handsome item. // Wood (+) River (=) Books specializes in place-based and environmental literature, with a special passion for association copies and notable inscriptions.
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Detalles
- Librería
- Rural Hours
(US)
- Inventario del vendedor #
- ABE-1642361811499
- Título
- Print of Edward Weston portrait of Robinson Jeffers, inscribed by Jeffers
- Autor
- Edward Weston; Robinson Jeffers
- Formato/Encuadernación
- No Binding
- Estado del libro
- Usado - Near Fine
- Cantidad disponible
- 1
Términos de venta
Rural Hours
We offer a 30 day return guarantee, with a full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged. If you change your mind about an item, you may return it within 30 days after delivery in its original condition for a full refund less shipping costs.
Sobre el vendedor
Rural Hours
Miembro de Biblio desde 2023
La Grande, Oregon
Sobre Rural Hours
Rural Hours (formerly Wood + River = Books, est. 2019) specializes in ecology, natural history, nature writing, the environment, environmental literature, and contemporary essay, with a special passion for association copies and notable inscriptions. We draw our name from the popular-but-then-forgotten book by Susan Fenimore Cooper (published in 1850), generally considered the first work of environmental creative nonfiction by a woman in the U.S. We are interested in challenging and expanding the canon of environmental literature and finding books that tell remarkable stories and illuminate the tradition of writing about place and natural history.
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