[Set of Eight Color Stills for:] THE GREAT WHITE HOPE de Sackler, Howard [sourcework & screenwriter] - 1970

[Washington, DC: Women's International League for Peace and Freedom, 1924].. 7,[1]pp. Octavo. Printed self wrapper. A couple of small rust marks to rear wrapper, otherwise fine. First separate printing of this address by the poet activist, given by Johnson at the VI International Summer School of the Women's International League for Peace and Freedom, Chicago May 1924. In large part, Johnson's comments are made in reference to the causes and consequences of the US occupation of Haiti following the assassination of the Haitian President in July of 1915. OCLC: 26035710.

[New York, 19 October 1952].. Original borderless gelatin silver print, 25.5 x 17 cm (9 7/8 x 6 3/4 inches). Matted. Fine. A beautiful portrait of the then 25 year old singer, dating from the year of her Broadway appearance in the musical review, NEW FACES. The 1954 film version was her first credited screen role. This print bears Van Vechten's ink studio stamp on the verso. The subject, date and negative number are also written on the verso in ink, in Van Vechten's hand. There are prints of three other negatives from the same session in the Library of Congress Van Vechten photo archive, and two other prints from the session were exhibited in EXTRAVAGANT CROWD CARL VAN VECHTEN'S PORTRAITS OF WOMEN (Yale, Beinecke Library, 2003). KELLNER G701.

[New York], 17 February 1953.. Original borderless gelatin silver print, 23.5 x 18 cm (9.25 x 7.25 inches). Fine. A fine portrait of the young singer, then in the ascendance of her career, less than a year after her role as St. Settlement in the Broadway revival of Gertrude Stein's FOUR SAINTS IN THREE ACTS. This print bears Van Vechten's blindstamp, and on the verso his ink studio stamp. The subject, date and negative number are also written on the verso in ink, in Van Vechten's hand. There is a print of another negative from the same sitting, albeit dated in the catalogue entry a week earlier - an impossibility as it is separated from this photograph by only one other exposure and the set and dress are identical - in the LC Van Vechten photo archive. KELLNER G434.

Oakland, CA: Change!, ca. 1967. 1st edition. Soft cover. Fine/No Jacket (as issued). Near Fine. 8vo, 16pp (stapled self-cover). An exceptionally well-preserved copy of a Civil Rights themed publication from late 1967 (or early 1968), published in association with the Unitarian Universalist Project East Bay in Oakland and Emeryville. Includes a short piece urging readers to "Support the Huey P. Newton Defense Fund" as well as writing by adults and children intended to inform a suburban audience about conditions in the inner city.

Englewood Cliffs, NJ: Prentice-Hall, Inc., 1970. First Edition. Hardcover. Very Good/Very Good. Cloth in DJ; 184pp; DJ slightly edgeworn, boards square, clean & bright, pages slightly age-toned, text unmarked, binding is tight, VG/VG condition. Revealing and disturbing study of the racist ideas and fantasies of southern whites after the Civil War.

[Washington, DC: Women's International League for Peace and Freedom, 1924].. 7,[1]pp. Octavo. Printed self wrapper. A couple of small rust marks to rear wrapper, otherwise fine. First separate printing of this address by the poet activist, given by Johnson at the VI International Summer School of the Women's International League for Peace and Freedom, Chicago May 1924. In large part, Johnson's comments are made in reference to the causes and consequences of the US occupation of Haiti following the assassination of the Haitian President in July of 1915. OCLC: 26035710.

[New York, 19 October 1952].. Original borderless gelatin silver print, 25.5 x 17 cm (9 7/8 x 6 3/4 inches). Matted. Fine. A beautiful portrait of the then 25 year old singer, dating from the year of her Broadway appearance in the musical review, NEW FACES. The 1954 film version was her first credited screen role. This print bears Van Vechten's ink studio stamp on the verso. The subject, date and negative number are also written on the verso in ink, in Van Vechten's hand. There are prints of three other negatives from the same session in the Library of Congress Van Vechten photo archive, and two other prints from the session were exhibited in EXTRAVAGANT CROWD CARL VAN VECHTEN'S PORTRAITS OF WOMEN (Yale, Beinecke Library, 2003). KELLNER G701.

[New York], 17 February 1953.. Original borderless gelatin silver print, 23.5 x 18 cm (9.25 x 7.25 inches). Fine. A fine portrait of the young singer, then in the ascendance of her career, less than a year after her role as St. Settlement in the Broadway revival of Gertrude Stein's FOUR SAINTS IN THREE ACTS. This print bears Van Vechten's blindstamp, and on the verso his ink studio stamp. The subject, date and negative number are also written on the verso in ink, in Van Vechten's hand. There is a print of another negative from the same sitting, albeit dated in the catalogue entry a week earlier - an impossibility as it is separated from this photograph by only one other exposure and the set and dress are identical - in the LC Van Vechten photo archive. KELLNER G434.

Oakland, CA: Change!, ca. 1967. 1st edition. Soft cover. Fine/No Jacket (as issued). Near Fine. 8vo, 16pp (stapled self-cover). An exceptionally well-preserved copy of a Civil Rights themed publication from late 1967 (or early 1968), published in association with the Unitarian Universalist Project East Bay in Oakland and Emeryville. Includes a short piece urging readers to "Support the Huey P. Newton Defense Fund" as well as writing by adults and children intended to inform a suburban audience about conditions in the inner city.

Englewood Cliffs, NJ: Prentice-Hall, Inc., 1970. First Edition. Hardcover. Very Good/Very Good. Cloth in DJ; 184pp; DJ slightly edgeworn, boards square, clean & bright, pages slightly age-toned, text unmarked, binding is tight, VG/VG condition. Revealing and disturbing study of the racist ideas and fantasies of southern whites after the Civil War.