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A SUITE OF 7 COLOR CHINESE PITH PAINTINGS SHOWING CHINESE WOMAN PLAYING MUSICAL

A SUITE OF 7 COLOR CHINESE PITH PAINTINGS SHOWING CHINESE WOMAN PLAYING MUSICAL

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A SUITE OF 7 COLOR CHINESE PITH PAINTINGS SHOWING CHINESE WOMAN PLAYING MUSICAL

de [CHEUNGQUA]. [Studio Or School Of]

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Este vendedor ha conseguido 1 de las cinco estrellas otorgadas por los compradores de Biblio.
APTOS, California, United States
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[Canton 1860-80's, Cheungqua]. A group of 7 pith or Tongcao color paintings, usual minimal issues, mostly clean & solid, sold "as is" as a collection, with the typical chips & a few fox spots, else very good, clean examples. A RARE GROUP ! . *** **** *** . . . A SUITE OF 7 FINE CHINESE COLOR PITH PAINTINGS . . . SHOWING BEAUTIFULLY DRESSED CHINESE WOMEN . . . PLAYING MUSICAL INSTRUMENTS . . . EXECUTED IN STUNNING & BRILLIANT COLORS . . . AKA: CHINESE EXPORT WATERCOLOURS . * A group of typical "trade paintings" executed by Chinese native artists for foreign traders visiting Canton or Macao during the early to mid-19th century. . * A SUPERB SUITE OF FABULOUS COLOR PITH PAINTINGS: A stunningly beautiful group of hand-painted color pith paintings, depicting a woman playing a musical instrument. . *** "GOLDEN LOTUS" or "LOTUS FEET" BOUND FEET [Chanzu]: This like most illustrations of the period show the women with bound feet. Chanzu [bound feet] was an erotic obsession and fetish in ancient China. The erotic ramifications are outlined in the references below. . * The paintings illustrate Chinese women in a domestic scene with furniture playing musical instruments. Subjects are: . a. Yue1in [Ruan], Moon Guitar [ Moon Zither], 4 stringed . b. Yanqin, Chinese Dulcimer . c. Sanxian, three-stringed Chinese lute . d. Drumming on the back of a Chinese ceramic bowl . e. Dizi, Chinese bamboo flute . f. Huqin, Chinese violin . g. Tong Luo, Chinese Brass Gong . *** DESCRIPTION OF THE PAINTING, ART WORK AND CONDITION: . Each painting is in brilliant, vivid and stunning colors. Each is skillfully painted with a fine hand, delicate fine-point brush with great detail, incredible reality, texture and appeal. . As usual, the set paintings were tipped to a contemporary backing period Each painting is backed with a contemporary stiff paper, or a more current back card. . Items "a" & "b" are matted, see cover.jpg & title.jpg photos posted to our website. . Each painting is approximately 21 x 34 cm., most have a blue silk ribbon border, partial border or border lacking, chipped and the like, on has restorations on the verso in the margin only. . Each painting has some chips, parts missing on the edges, or with small holes here and there ['e'], by and large the images are complete, but some may have usual and often typical age-related cracks or splits, a touch of fox spots on "c." . Suitable for framing & display. Please review photographs posted to our website for details. . *** "RICE PAPER" PAINTINGS: Several authors refer to this name rather than the proper name, "Pith" paper paintings, also can be called "Tung Tsao." . *** THE CANTON ARTIST OR 'SCHOOL' OF CHEUNG QUA: Cheung Qua was an export watercolor painter in Canton. He and followers of his school produced various single and albums of these paintings which were sold from his studio. . Often his in-house artists began painting on their own, thus replicating the techniques, subjects and essence of their masters. Because these paintings were rarely signed the one and only identification ever found was occasionally on the album cover or spine with the studio name. . Often these paintings were sold in various shops in Macao, the main resting and gathering place of foreigners during part of the year. . *** REFERENCE: . CLUNAS, Craig.: CHINESE EXPORT WATERCOLOURS. This entire book is devoted to Pith or Rice paper paintings. For musical instruments, see color plates on pp.50-53, especially plates on pp.66-67, plates 39 & 40 are particularly similar to our examples, that is to say by the same or an artist who was in the same house of Cheungqua or that school. * CHU, Arthur. et al.: ORIENTAL ANTIQUES AND COLLECTIBLES: A GUIDE, pp.62-66. * THE CHINESE PITH PAINTING COLLECTION AT THE NATIONAL LIBRARY OF AUSTRALIA: An Annotated Guide. * Crossman, Carl L. The decorative arts of the China trade : paintings, furnishings and exotic curiosities. * LEVY, Howard S.: CHINESE FOOT BINDING: The History of a Curious Erotic Custom. . --. THE LOTUS LOVERS: The Complete History of the Curious Erotic Custom of Foot binding in China. * JACKSON, Beverly.: SPLENDID SLIPPERS: A THOUSAND YEARS OF AN EROTIC TRADITION. . *** .

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Librería
Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY US (US)
Inventario del vendedor #
98101501
Título
A SUITE OF 7 COLOR CHINESE PITH PAINTINGS SHOWING CHINESE WOMAN PLAYING MUSICAL
Autor
[CHEUNGQUA]. [Studio Or School Of]
Estado del libro
Usado -
Palabras clave
Chinese Art: References On All Aspects & Disciplines; Chinese Music; China: Social Science, Eclectic, All Subjects & Disciplines [no Art]; Chinese Costume & Clothing: Illustrated Reference Items; Women In China: All Related Items;

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Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY

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Sobre el vendedor

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY

Puntuación del vendedor:
Este vendedor ha conseguido 1 de las cinco estrellas otorgadas por los compradores de Biblio.
Miembro de Biblio desde 2006
APTOS, California

Sobre Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY

An Art & Intellectual Property Co. Since 1967* * * * *SINCE 1967, THE PAST FIFTY-YEARS WE HAVE BEEN PURVEYORS OF FINE & RARE BOOKS ON ALL ASPECTS FAR EASTERN, ASIAN & SOUTHEAST ASIAN CULTURES, COUNTRIES & SUBJECTS.Specialties include but are not limited to: CHINA, KOREA, JAPAN, TAIWAN, SINGAPORE, VIETNAM, INDO-CHINE, CAMBODIA, LAOS, PHILIPPINES, SHANGHAI, HONG KONG, CANTON, MACAO AREAS. LAFCADIO HEARN: First Editions, Manuscripts, Collections, Obscure Items, Japanese Cirimen-bon [Crepe Paper Books], LIBRARIES PURCHASED, APPRASIAL FOR ANY REASON. MEMBERS OF THE ABAA & ILAB SINCE JUNE 1973

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Edges
The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
Verso
The page bound on the left side of a book, opposite to the recto page.
G
Good describes the average used and worn book that has all pages or leaves present. Any defects must be noted. (as defined by AB...
Fine
A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
Spine
The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....

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