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Tancred. Heroische Oper in zwey Aufzügen. Nach dem Italienischen von Christian Grünbaum, Sanger und Schauspieler des k. Ständ. Theaters in Prag. Mit Musik von Joachim Rossini. Für das k.k. Hof=Opern=Theater de ROSSINI, Gioachino 1792-1868 - 1818

de ROSSINI, Gioachino 1792-1868

Tancred. Heroische Oper in zwey Aufzügen. Nach dem Italienischen von Christian Grünbaum, Sanger und Schauspieler des k. Ständ. Theaters in Prag. Mit Musik von Joachim Rossini. Für das k.k. Hof=Opern=Theater de ROSSINI, Gioachino 1792-1868 - 1818

Tancred. Heroische Oper in zwey Aufzügen. Nach dem Italienischen von Christian Grünbaum, Sanger und Schauspieler des k. Ständ. Theaters in Prag. Mit Musik von Joachim Rossini. Für das k.k. Hof=Opern=Theater

de ROSSINI, Gioachino 1792-1868

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Wien: J.B. Wallishauffer, 1818. Octavo. Original publisher's dark ivory wrappers with title within decorative border to upper and imprint within decorative border to lower. 1f. (recto title, verso cast list), 44 pp. + 2ff. (publisher's advertisements).

Wrappers worn and soiled; edges frayed and with several small tears; manuscript notation ("U.F. 144") and small manuscript label ("N. 6928") to upper margin of upper; edges slightly soiled. Minor internal wear and browning; several leaves creased at outer margin. Tancredi, a "melodramma eroico" in two acts to a libretto by Gaetano Rossi after Voltaire's Tancrède, was first performed in Venice at La Fenice on 6 February 1813. It is regarded as Rossini's first international success and was the first of the composer's operas to be translated into other languages. It was first performed in Vienna on 17 December 1816 in Italian and on 12 March 1818 in German, the performance for which the present libretto was presumably published. Loewenberg col. 630.

"Tancredi marks Rossini's coming of age as a composer of opera seria. Static forms and limited harmonic horizons are given a new dynamism and reach as Rossini successfully redeploys structural innovations derived from his early one-act operas. It is also one of his most purely lyrical works, a primary example of what Stendhal calls his 'candeur virginale'. The critic and poet Giuseppe Carpani wrote of the opera: 'It is cantilena and always cantilena: beautiful cantilena, new cantilena, magic cantilena, rare cantilena'." Richard Osborne in Grove Music Online

It was Rossini's first international success, and went on to performances in Munich in August of 1816 (in Italian) and 1821 (in German). Loewenberg col. 630.
  • Librería J & J Lubrano Music Antiquarians LLC US (US)
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  • Editorial J.B. Wallishauffer
  • Lugar de publicación Wien
  • Fecha de publicación 1818
  • Palabras clave 19th century Italian music, 19th century Italian opera libretti
IL BARBIERE DI SIVIGLIA. Almaviva, ossia l'inutile precauzione. Melodramma buffo en dos actos

IL BARBIERE DI SIVIGLIA. Almaviva, ossia l'inutile precauzione. Melodramma buffo en dos actos

de Rossini. Gioachino, (1792-1868)

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Soft Cover. Good. Madrid. Publ. Fundación del Teatro Lírico, Teatro Real. Edición y coordinación: Ángel Carrascosa Almazán / Miguel Ángel de las Heras. Imp. Luis Pérez. 2004. 24x16 cm. 269 págs. Ilust. # música
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L'ITALIANA IN ALGERI * LA ITALIANA EN ÁRGEL. Dramma giocoso en dos actos

de Rossini. Gioachino, (1792-1868)

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Soft Cover. Good. Madrid. Teatro Real. Edic. de Miguel Ángel de las Heras / Raúl Amor. Gráfs. Luis Pérez. 2009. 24x16 cm. 159 págs. # música
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TANCREDI. Melodramma eroico en dos actos

TANCREDI. Melodramma eroico en dos actos

de Rossini. Gioachino, (1792-1868)

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Soft Cover. Good. Madrid. Edit. Teatro Real. Edición y coordinación: Ángel Carrascosa Almazán / Miguel Ángel de las Heras. Imp. Gráfs. Luis Pérez. 2007. 24x16 cm. 139 págs. Ilust. # música
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LA GENERENTOLA OSSIA LA BONTA IN TRIONFO. Dramma giocoso en dos actos.

LA GENERENTOLA OSSIA LA BONTA IN TRIONFO. Dramma giocoso en dos actos.

de Rossini. Gioachino, (1792-1868)

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Soft Cover. Good. Madrid. Edición de Miguel Ángel de las Heras /Raul Amor. Teatro Real. Imp. Gráfs. Luis Pérez. 2001. 24x16 cm. 189 págs. Ilust. # música
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SEMIRAMIDE. Melodramma trágico en dos actos

SEMIRAMIDE. Melodramma trágico en dos actos

de Rossini. Gioachino, (1792-1868)

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Soft Cover. Good. Madrid. Publ. Fundación del Teatro Lírico, Teatro Real. Edición y coordinación: Ángel Carrascosa Almazán / Miguel Ángel de las Heras. Imp. Luis Pérez. 2004. 24x16 cm. 179 págs. Ilust. # música
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Large poster for Rossini's Stabat Mater performed at the Rossini Opera Festival in Pesaro,...

Large poster for Rossini's Stabat Mater performed at the Rossini Opera Festival in Pesaro, August-September 1987, with Marilyn Horne, Susan Dunn, Chris Merritt, and Simone Alaimo

de ROSSINI, Gioachino 1792-1868

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1,000 x 700 mm. Rolled. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Slightly worn. Rossini's "Stabat mater is often said to be operatic." Philip Gossett in Grove Music Online. The first version was first performed in Madrid in 1833; a revised second version was first performed in Paris in 1842. Horne had a voice of extraordinary range, rich and tangy in timbre, with a stentorian chest register and an exciting top... In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene, proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist, singing lieder, mélodies, Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online.
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Large colour poster for L'Italiana in Algeri at the Royal Opera House in London in July of 1989...

Large colour poster for L'Italiana in Algeri at the Royal Opera House in London in July of 1989 featuring Marilyn Horne as Isabella, Judith Howarth as Elvira, and Gillian Knight as Zulma, conducted by Donato Renzetti

de ROSSINI, Gioachino 1792-1868

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762 x 508 mm. Rolled. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Slightly worn. Rossini's L'Italiana in Algeri was first performed in Venice at the Teatro San Benedetto on May 22, 1813. Marilyn Horne has sung role of Isabella throughout her career, always to great acclaim. "Horne had a voice of extraordinary range, rich and tangy in timbre, with a stentorian chest register and an exciting top... In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene, proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist, singing lieder, mélodies, and Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online.
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Vie de Rossini ... Nouvelle édition entièrement revue

Vie de Rossini ... Nouvelle édition entièrement revue

de [ROSSINI, Gioachino 1792-1868]. Stendhal, [Beyle, Henri Marie] 1783-1842

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Paris: Michel Lévy Frères, 1854. Octavo. Full dark orange cloth, spine with title label gilt, original publisher's light green printed upper wrapper bound in. [i] (series title), [i] (printer's note), 1f. (title), [1]-4 (advertisement), [1]-4 (advertisement), 3 (preface), [4] (blank), [5]-368, [369]-370 (chronologic list of Rossini's compositions), [371]-375 (table of contents), [i] (blank) pp. Some leaves uncut. Part of a series of volumes of the author's complete works (see series title and second advertisement). Spine very slightly faded; wrappers slightly worn and soiled. Moderate to heavy foxing to outer leaves, light foxing throughout, especially to edges. A later edition. "Though best known today for his novels Le rouge et le noir (1830) and La chartreuse de Parme (1839), in which opera serves as backdrop and emotional correlative, Stendhal was better known during most of his lifetime for his interdisciplinary and comparative criticism and chronicling of arts and letters in relation to… Leer más
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Broadside playbill for a performance of Rossini's opera Othello at the Teater zu Wiesbaden on 16...

Broadside playbill for a performance of Rossini's opera Othello at the Teater zu Wiesbaden on 16 July 1835

de ROSSINI, Gioachino 1792-1868

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Wiesbaden: C. Schellenberg, 1835. Narrow folio (ca. 360 x 205 mm). Named cast includes Madame and Herr Rosner, Herr Jaskewitz, and Herr Pfeifer. Performed in Italian. Slightly worn; upper corners creased; minor spotting to right margin. Otello was first peformed in Naples at the Teatro del Fondo on 4 December 1816.
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Stabat Mater [Full score]

Stabat Mater [Full score]: pour Deux Soprani, Tenore et Basso et Choeur a quatre ou cinq Voix ... avec accompag. de Piano par T. Labarre.

de ROSSINI, Gioachino 1792-1868

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Mayence: B. Schott [PN 6588], 1842. Folio. 19th century quarter dark brown leather with cloth boards. 2ff., 109 pp. Engraved. With former owner's signature ("Frederic S. Davenport April 1867") to upper outer corner and stamp of the music seller Scharfenberg & Luis of New York to lower margin of title-page. Binding worn; upper detached; spine chipped. Minor spotting to final two leaves. A later issue of the edition published by Troupenas in 1841-42.
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