Tibor Kalman: Design and Undesign (Cutting Edge) de Farrelly, Liz - 0000-00-00

Watson-Guptill Publications, 1998. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Watson-Guptill Publications, Incorporated, 1998. Hardcover. Very Good. Disclaimer:May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

UsedGood. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations!

Watson-Guptill Publications, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages.

Watson-Guptill Publications, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages.

Watson-Guptill Pubns. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Watson-Guptill Pubns, January 1998. Hardcover. VG-/Good. used hardcover in a dust jacket. jacket is a bit worn about the edges and somewhat scuffed, but without any serious tears. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Watson-Guptill Pubns, 1998. Hardcover. Very Good/No Dustjacket as Issued. 9x0x8. In Very Good+ condition. This volume traces the trajectory of Kalman's design anti-career from his beginnings with M&Co in the early 1980s to the creative directorship of Artforum and Interview and the editorship of Colors magazine, in which Kalman tackled issues such as AIDS, poverty and racism. Kalman was known for being 'the 'bad boy' of graphic design' because of his antics and radical consciousness. He believed that award-winning design was only possible when the client was ethical, and frequently called other designers out when he did not agree with their actions. He defined good design as a benefit to everyday life and should be used to increase public awareness of social issues. Kalman adopted a vernacular style as a way to protest corporate International Style which was the primary design style of the time.

Brand: Watson-Guptill Publications, 0000-00-00. hardcover. Used:Good.

Watson-Guptill Pubns. Collectible - Acceptable. First edition copy. Collectible - Acceptable. No Dust Jacket (graphic arts, illustration)