Time of Change. Civil Rights Photographs 1961-1965

Los Angeles: St. Ann's Press. Very Good+ with no dust jacket. 2002. First Edition. Original cloth with pasted-on illustration on front cover. 0971368112 . With plates after Bruce Davison. Covers in plastic protective wrap. Slight wear to spine, covers & corners. ; "Bruce Davidson: Civil Rights Photographs 1961-1965" is a poignant collection that captures the essence of the American Civil Rights Movement through the lens of renowned photographer Bruce Davidson. This volume presents a powerful visual account of the struggle for justice and equality, documenting everything from intimate moments of resistance to large-scale protests and marches. Davidson’s empathetic and detailed approach offers a deep emotional connection to the events and individuals who played pivotal roles during this transformative period in American history. His photographs not only depict the tensions and conflicts but also the moments of solidarity and hope that defined the movement. This book serves as an important historical record and an artistic tribute to the courage and determination of the civil rights activists of the 1960s. Bruce Davidson is an esteemed American photographer known for his profound impact on documentary photography. Born in 1933, he began exploring photography at a young age and later studied at the Yale University School of Art. Davidson's career took a definitive turn when he joined Magnum Photos in 1958, after being encouraged by Henri Cartier-Bresson, one of its founders. Davidson is best known for his humanistic approach to social issues, capturing subcultures, and marginalized communities with sensitivity and depth. His projects, like "East 100th Street" and "Brooklyn Gang," are celebrated for their intimate portrayal of American lives. Davidson’s work extends beyond photography to film and has been influential in shaping the narrative style of contemporary documentary photography. "Bruce Davidson: Civil Rights Photographs 1961-1965" was part of Chris Steele-Perkins’ impressive photography book collection. As a member of Magnum Photos, Steele-Perkins held a deep appreciation for Davidson's work, which exemplifies Magnum’s commitment to socially engaged, deeply personal storytelling. Davidson’s focus on the Civil Rights Movement resonated with Steele-Perkins' own interest in exploring societal issues through the photographic medium. Steele-Perkins’ work often tackled themes of cultural integration and identity, making Davidson’s collection a natural fit and a source of inspiration. The inclusion of Davidson’s book in Steele-Perkins' collection underscores his dedication to documenting human experiences and the power of photography to influence social change and understanding. ; Quarto oblong; 143 pages .