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WHAT TO LISTEN FOR IN MUSIC
de Aaron Copland
- Usado
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- Estado
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- Librería
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Pomona, New York, United States
Formas de pago aceptadas
Sobre este artículo
New York: McGraw Hill. 1957. Revised Edition; Twentieth Printing. Hardcover. Very Good in Boards. Some rubbing to edges and front. Ink note on front end page. Light toning to text block. ; From the collection of American jazz and pop vocalist Marlene VerPlanck and J. Billy VerPlanck. .
Sinopsis
Now in trade paperback: ?The definitive guide to musical enjoyment? ( Forum ). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
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Detalles
- Librería
- Rare Book Cellar
(US)
- Inventario del vendedor #
- 119681
- Título
- WHAT TO LISTEN FOR IN MUSIC
- Autor
- Aaron Copland
- Formato/Encuadernación
- Tapa dura
- Estado del libro
- Usado
- Edición
- Revised Edition; Twentieth Printing
- Editorial
- McGraw Hill
- Lugar de publicación
- New York
- Fecha de publicación
- 1957
Términos de venta
Rare Book Cellar
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Glosario
Algunos términos que podrían usarse en esta descripción incluyen:
- Rubbing
- Abrasion or wear to the surface. Usually used in reference to a book's boards or dust-jacket.
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
- Text Block
- Most simply the inside pages of a book. More precisely, the block of paper formed by the cut and stacked pages of a book....
