Yet Again

New York: Alfred A. Knopf, 1923. First Edition. Hard Cover. Very Good/No Jacket. 0x0x0. First edition. No jacket. Spine rubbed, front board soiled, ink name on front free endpaper. 1923 Hard Cover. viii, 306 pp. A collection of essays, including several related to famous painters and their art. (1872–1956). Called “the incomparable Max,” writer-caricaturist Max Beerbohm perfected a talent for parodying the styles of famous writers. With delicate wit, he also captured in his drawings whatever was pretentious or absurd in his famous contemporaries, including the British royal family. But Beerbohm usually caricatured without malice. He attacked only two targets with an intent to demean: British imperialism through the image of John Bull, a character often used in art and literature to symbolize England, and the writer Rudyard Kipling, a leading advocate of imperialism. Henry Maximilian Beerbohm was born in London on Aug. 24, 1872. His family was wealthy, and he became accustomed to fashionable society from his boyhood. He wrote his first witty essays while a student at Merton College, Oxford. In 1896 he published a literary collection, The Works of Max Beerbohm, and his first book of drawings, Caricatures of Twenty-five Gentlemen. Two years later he succeeded George Bernard Shaw as drama critic for the Saturday Review magazine. He published his only novel, Zuleika Dobson, a burlesque of life at Oxford, in 1911. He was knighted in 1939. In 1910 Beerbohm got married and moved to Rapallo, Italy, which was his home for most of the rest of his life. He died in Rapallo on May 20, 1956.