Al Held

Birmingham, MI: Donald Morris Gallery, 1988 2023-08-12. First Edition. Paperback. Near Fine. [27] pp., color plates, 4to. : Some scuffing to wraps and one name written on top edge of FFEP, else Fine. : Well packaged, ships with tracking.

Birmingham, MI: Donald Morris Gallery, Inc, 1988. First edition. Softcover. Exhibition catalog for a show that ran April 23 through May 28, 1988. Includes, with the covers, 8 color illustrations, two of which are fold out plates. A very near fine copy in wrappers. An attractive production.

New York: Andre Emmerich Gallery, 1991. 1 volume (unpaged), colour illustrations; 21 x 23 cm. Exhibition held at the Andre Emmerich Gallery, September 10 to October 12, 1991. Near fine. Firm binding, clean inside copy. Light edgewear to wraps.. 1st. Paperback. Very Good. Oblong.

New York: Andre Emmerich Gallery, 1988. Softcover. A fine copy. 9 x 12 inches. Wrappers. Catalog published on the occasion of the exhibition from October - November 1988.

Detroit, MI: Donald Morris Gallery, 1974. First edition. Softcover. 4 pages. Exhibition catalog for a show that ran June 8 through July 6, 1974. Includes 4 black and white illustrations. An about very good copy in stapled wrappers and from the Cranbrook Academy of Art Library with their stamp to the front cover.

New York: Andre Emmerich Gallery, 1991. First edition. Oblong softcover. Exhibition catalog for a show that ran September 10 through October 12, 1991. Features an introduction by Elizabeth Frank. Includes 6 color plates and a checklist. A fine copy in wrappers.

New York: Rizzoli, 1991. Cloth. Very Good/Very Good. Folio. Beige cloth in unclipped jacket. Folio. 128 pp. Color and black and white plates throughout. A monograph, mostly visual, on the paintings of Al Held, an artist first associated with Abstract Expressionism, although his work became much more structured in the late 1960s. VERY GOOD+ condition. Light fading and… Saber más sobre este artículo

New in publisher's shrink wrap.

Cheim & Read, 2015. First edition. Original Wraps. Near Fine. First Edition. c.2015. Stapled Wraps. Folio. Illus. Near Fine. Light shelfwear to spine.

In very good condition, clean and unmarked, cover showing wear at corners and edges.

NY, NY: Andre Emmerich Gallery, 1973.. 8vo. [22] pp. Soft Cover. Stapled Wraps. Black and white plates throughout. Very Good, minor wear on covers, lower right corner of cover and interior sheets lightly bumped, interior sheet edges lightly toned, otherwise, clean and intact.  From the Collection of the Art Historian Peter Selz.

NY, NY: Andre Emmerich Gallery, 1990.. 4to. 13 Loose Color Plates, tipped in Folding Jacket. Exhibition Brochure. Color Plates. Very Good.

New York: Andre Emmerich Gallery, 1985 2022-03-10. First Edition. Paperback. Very Good. ills., foldout, 4to.. Bright, clean, unmarked copy. Light creasing to bottom fore-edge. Well packaged in a box, ships with tracking.

Birmingham, Michigan: Donald Morris Gallery, 1983. Softcover. VG, creasing along fore-edge of rear cover.. Burgundy wraps; Unpaginated; 8 color plates. Essay by Mark Morris, biographical notes; exhibitions; collections; bibliography.

Pictorial wraps folder with 12 color plates numbered 2-13. In fine condition.

Philadelphia: Institute of Contemporary Art, 1968. Paperback. Good+ cover lightly soiled. White wraps with black lettering; 13 unnumbered pp.; richly illustrated. A catalog produced on the occasion of an exhibition organized by the Institute of Contemporary Art of the University of Pennsylvania, Philadelphia, Pennsylvania, November 20 to December 26, 1968 in collaboration with the Contemporary Arts Museum, Houston,… Saber más sobre este artículo

San Francisco: SF MOMA, 1968. 8vo. 24pp. Soft cover. Color plates. Very Good. From the collection of Peter Selz, Art History Professor at UC Berkeley.

New York: Andre Emmerich Gallery, 1992 2022-03-17. First Edition. Paperback. Fine . 8vo., ills. w. color plates. Bright, sharp copy with no ownership markings. Well packaged in a box, ships with tracking.

Andre Emmerich Gallery. Trade Paperback. Very Good. In Very Good condition with minimal shelfwear; a clean, tight copy.

Cheim & Reid, 2015. First edition, first printing. Oversize stiff wraps with crisp bright text. Gorgeous frontispiece full page photograph of Held in his New York studio, 1957, by his good friend and artist Sam Francis. A beautiful survey of early paintings all in color. Gift quality