Seeing and Knowing

London: Chapman & Hall, 1953. [6], 48pp. With 88 photographic plates. Original publisher's navy cloth, lettered ing gilt, printed paper dustwrapper. Minor shelf-wear, dustwrapper rubbed, spine panel sunned, lower panel, lower panel lightly damp-stained. Internally clean and crisp. The first edition of American art historian Bernard Berenson's (1865-1959) succinct survey of the figurative arts. . First edition. 8vo.

Chapman & Hall, 1956. Hardcover. Good/Acceptable. 1956. Second Impression. 48 pages. Blue dust jacket over blue cloth. Contains black and white plates throughout. Pages remain bright and clear with minimal tanning and foxing. Sticker to front pastedown. Pencil inscription to front free endpaper. Light creasing to gutter. Binding remains firm. Boards have mild edge-wear with slight rubbing to… Saber más sobre este artículo

Greenwich: New York Graphic Society. Near Fine in Very Good dust jacket. 1968. Hardcover. Illustrated. First edition thus. Previous owner's name on front free endpaper, else near fine in a very good (light shelf wear) dust jacket. .

Conn: New York Graphic Society Ltd, 1968. Hardcover. Near Fine/Very Good. New. Near fine in very good dustwrapper. Very light rubbing of spine ends, a very light hint of browning on pages, dustwrapper lightly shelf rubbed.

London : Chapman & Hall, 1953. First Edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description; 48 pages 88 plates 22 cm. Subjects; Beleving. Art criticism. Art Philosophy. Perception. Carav Art. Art appreciation. Art. Aesthetics. Art Theory. Art.Addresses, essays, lectures.

The Macmillan Co.,New York, 1953-01-01. First American Edition. Hardcover. Very Good/Very Good. Illustrated. Dust jacket is rubbed and chipped. Previous owner's name on endpaper. Pages yellowing.

Chapman & Hall, 1956. Hardcover. Good/Acceptable. 1956. Second Impression. 48 pages. Pictorial dust jacket over blue cloth. Black and white illustrations. Pages remain bright and clean with minimal tanning and foxing. Binding remains firm. Boards have moderate shelf wear with mild bumping and fraying to corners and crushing and fraying to spine ends. All surfaces tanned and sunned,… Saber más sobre este artículo

London : Chapman & Hall , 1956. Second Edition. Hardcover. Fine cloth copy in a near-fine, very slightly edge-torn and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 48 pages, 88 plates, 22 cm. Subjects: Art appreciation. Aesthetics. Art Theory. Genre: Art. Language: English.

Greenwich, CT: New York Graphic Society Art Library Some wear and tanning to the covers. Previous owners bookplates on the inner front cover and to the last page. Underlinings and marginalia throughout that do not affect the text. Includes 61 illustrations.. Trade Paperback. Good/No Jacket as Issued.

New York, New York, U.S.A.: Macmillan and Co.. 1953. F First Edition. H Hardcover. Very Good. Very good in good dust jacket (slight chipping along top edge). Illustrated with b&w photos of artwork and sculpture. 1st American edition / 1st printing. Hard Cover. 48pp + 88 plates. 16 x 21.

Greenwich, CT: New York Graphic Society. Fine copy in fine dust jacket. 1953. 1st. hardcover. 8vo, 92 pp. .

New York Graphic Society, 1953. Hardcover. Very good. Prompt shipment, with tracking. we ship in CLEAN SECURE NEW boxes Very good copy with clean pages in slightly stained, nicked dust jacket. First edition. 8vo. Published in New York, 1953. 94 pages.

The MacMillan Company, 1953. Hardcover. Good/Good. There are no markings to the text. There is shelf and handling wear to the jacket and cover.

New York, NY: Macmillan, 1953. Cloth. Good/Good Dust Jacket. 8vo - over 7¾" - 9¾" tall. 48 pp. Text followed by 88 b&w plates. Tips of lower corners lightly bumped. Text is free of markings. No ownership markings. The text pages, pages 1-48, show more tan than the plates pages as acid free paper was not used in… Saber más sobre este artículo

New York: New York Graphic Society. Reprint. hardcover. near fine/very good. Illustrated with 88 plates. 48 pages. Slim 8vo, redcloth, chipped edgetorn d.w. New York: New York Graphic Society, (no date, circa 1968). Reprint. Near fine in very good dust wrapper.<br/> <br/>

Chapman & Hall, 1953. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

London: Chapman & Hall Ltd, 1956. 2nd Impression. Hardcover. Very Good in Good dust jacket. Berenson argues that the convention of Western art is founded on the artist's accetance of a compromise between what his eye sees and what his mind knows - "representation". 48 pages, 88 b/w plates, DJ in mylar sleeve. Two pages and top and… Saber más sobre este artículo

London:: Chapman & Hall,, 1953. First edition. Cloth. Very Good + in Good DJ. Spine slighty cocked. Dj worn, soiled and chipped.

Chapman & Hall. Collectible - Good. First edition copy. Collectible - Good. Good dust jacket. 1st edition, 1953. Glassine over dust jacket. Owner's name on front free endpage. (art, works of art)

Greenwich: New York Graphic Society, 1953-01-01. Hardcover. Good. 1953 McMillian HC DJ Mylar protected