The Language Of Modern Music

Faber & Faber, 1963. Hardcover. Good. 1963. First Edition. 140 pages. No dust jacket. Red cloth covered boards. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping.… Saber más sobre este artículo

St. Martin's Press, 1970. Paperback. Good. 1970. No Edition Remarks. 185 pages. Illustrated paper cover. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Paper cover has mild edge wear with light rubbing and creasing. Some light marking… Saber más sobre este artículo

NY: St. Martin's , (1966).. Second edition.. 168 pp w/index. Fine in near fine dust jacket. Chapters focused on Schoenberg and Stravinsky with “Cross-Currents with Cubism” in between.

UK: Faber, 1976. Softcover. Very Good. New. Very good in wrappers. Cover rubbed with sticker on back, some browning. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

Paperback. Acceptable.

London: Faber & Faber, (1963).. First edition.. 140 pp w/index. Ink ownership stamp of Mario di Bonaventura on half-title page, else near fine in near fine, price-clipped dust jacket. Chapters focused on Schoenberg and Stravinsky with “Cross-Currents with Cubism” in between.

London: Faber and Faber Limited, 1966. Hardcover. Near Fine/Near Fine. Second edition. Light offsetting to the rear pastedown and endpaper thus near fine in a near fine price-clipped dustwrapper with a tanned spine and general wear.

Hardcover. Good. Hardcover, former-library book with typical library labels, stamps, etc. Otherwise, the book's pages are unmarked and the cover is lightly worn. No dust jacket.

London, U.K: Faber & Faber, 1977. Seems unread.. New Edition. Fine. 8vo - over 7¾" - 9¾" tall. Softback.

Faber Faber Inc. Good with no dust jacket. 1977. Paperback. 0571049346 . 16mo 6" - 7" tall; 168 pages .

Faber, 1963. First Edition. Hardback. Near Fine Condition/Near Fine. Near Fine/VG+ 1963 1ST IMPRESSION 1ST FABER HARDBACK EDITION WITH STRIKING ORIGINAL UNCLIPPED JACKET & INTRO . LANDMARK STUDY CENTERING MAINLY ON STRAVINSKY, SCHOENBERG AND CUBISM. A LITTLE SPOTTING TO TOP EDGE & SPINE-END RUBBING TO DJ ONLY OTHERWISE A NR FINE COPY IN ALL RESPECTS.… Saber más sobre este artículo

London: Faber and Faber, 1993. Reprint . Soft cover. Near Fine/No Jacket Issued. 8vo - over 7¾" - 9¾" tall. softcover, 185 pages, small name on flyleaf, otherwise near fine. box 38

NY: St Martin's. First Edition. 8vo, pp. 140. Index. Red cloth. Edges slightly soiled, o/w a VG tight copy with dj flap laid in.

Faber & Faber, 1963. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:

London: Faber and Faber, 1963. First edition. Hardcover. Fine/fine. First edition. Hardcover. 140 pp. Fine, fresh example in bright, crisp dust jacket. In this work, the author draws many parallels between the modern evolution in music and the modern movements in painting and architechture. There is particular emphasis on Schoenberg and his serial method and on Stravinsky.

London: Faber, 1966. 2nd edition, reprint, 8vo, 168pp, previous owner's name front pastedown and mildly musty-smelling o/w VG Copy in lightly rubbed VG DJ with one minor scribble mark front panel. 2nd Edition. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall.

London: Faber and Faber, 1983. New Edition . Paperback. Fine/None. 8vo - over 7¾" - 9¾" tall. paperback, 185 pages, fine.. N31

New York: St. Martin's, 1963. hardcover. very good/very good(-). 140pp., 8vo, cloth, d.w.; dust jacket dampstained at lower rear cover and spine. New York: St. Martin's Press, 1963. A very good copy in a very good (-) dust jacket.<br/><br/>

St. Martin's Press. Used - Good. Good condition. (Music Theory, History) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Very Good.