The New Shostakovich

Fourth Estate, 26/04/1990 00:00:01. hardcover. Very Good. 3.3974 in x 23.5821 in x 15.9878 in.

Fourth Estate, 1990. Hardcover. Good. All of our books without an ISBN number (normally pre-1970 in date) are described individually in detail. Books with an ISBN number (this one included) are all offered for sale in a reasonable condition or better: some may be in very good, near fine, or fine condition. If the condition is critical to… Saber más sobre este artículo

Northeastern University Press, 1990-11-15. Hardcover. Very Good. 9x6x1. ***please read*** name stamp and personal message on inside cover page - no marks on text - my shelf location 12-D-18*

UsedVeryGood. Noticeably sun faded. Text is mostly clean & readable.

Paperback. Very Good.

Hardback. Very Good.

Hardback. Good.

Paperback. Good.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Fourth Estate, 26/04/1990 00:00:01. hardcover. Very Good. 3.3974 in x 23.5821 in x 15.9878 in.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Paperback. Very Good.

Northeastern University Press, 1990-11-15. hardcover. Acceptable. 9x6x1.

Paperback. Good.

Northeastern University Press, 1990-11-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Pimlico, 2006. Paperback. New. 480 pages. 7.80x5.04x1.14 inches.

Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Ian MacDonald's The New Shostakovich presents the case for the dissident view, arguing passionately that the meaning of the composer's music cannot be fully appreciated without a knowledge of the terrible times he and his fellow artists

Oxford Paperbacks, 1991-08-01. Paperback. Very Good. 2.7919 cent in x 19.5431 cent in x 12.9442 cent in. Fast Despatch Soft Covers - will send out 1 st class post within 12 hours of receipt of order

Paperback / softback. New. Ian MacDonald's The New Shostakovich presents the case for the dissident view, arguing passionately that the meaning of the composer's music cannot be fully appreciated without a knowledge of the terrible times he and his fellow artists lived through under Soviet Communism.