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The Portable Edgar Allan Poe
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The Portable Edgar Allan Poe Tapa blanda - 2006

de Edgar Allan Poe; J. Gerald Kennedy (Editor); Introduction by J. Gerald Kennedy

A fully revised collection of Poe's work

The first new edition of this landmark anthology since 1945 presents a more complicated, perverse, and culturally engaged Poe. Along with the author's familiar masterworks in poetry and fiction, this new Portable Poe includes satirical tales that reflect his critique of American culture.


Resumen


A fully revised collection of Poe's work

The first new edition of this landmark anthology since 1945 presents a more complicated, perverse, and culturally engaged Poe. Along with the author's familiar masterworks in poetry and fiction, this new Portable Poe includes satirical tales that reflect his critique of American culture.

Información de la editorial

J. Gerald Kennedy is William A. Read Professor of English at Louisiana State University.
J. Gerald Kennedy is William A. Read Professor of English at Louisiana State University.

Detalles

  • Título The Portable Edgar Allan Poe
  • Autor Edgar Allan Poe; J. Gerald Kennedy (Editor); Introduction by J. Gerald Kennedy
  • Encuadernación Tapa blanda
  • Edición [ Edition: Repri
  • Páginas 672
  • Volúmenes 1
  • Idioma ENG
  • Editorial Penguin Group, NEW YORK
  • Fecha de publicación 2006-10-01
  • Features Bibliography, Price on Product - Canadian, Table of Contents
  • ISBN 9780143039914 / 0143039911
  • Peso 1.1 libras (0.50 kg)
  • Dimensiones 7.7 x 5.1 x 1.3 pulgadas (19.56 x 12.95 x 3.30 cm)
  • Época de 18 a UP años
  • Cursos 13 - UP
  • Library of Congress subjects Short stories, American - 19th century, Horror tales, American - 19th century
  • Número de catálogo de la Librería del Congreso de EEUU 2006043297
  • Dewey Decimal Code FIC

Extracto

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door —
 Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
 Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
 This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
 Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
 Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
 'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
 Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
 Quoth the Raven, "Nevermore."

Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
 With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered— not a feather then he fluttered —
Till I scarcely more than muttered, "other friends have flown before —
On the morrow he will leave me, as my hopes have flown before."
 Then the bird said, "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore —
Till the dirges of his Hope that melancholy burden bore
 Of 'Never — nevermore'."

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore —
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
 Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
 She shall press, ah, nevermore!

Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee — by these angels he hath sent thee
Respite — respite and nepenthe, from thy memories of Lenore
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
 Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil! — prophet still, if bird or devil! —
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted —
On this home by horror haunted— tell me truly, I implore —
Is there — is there balm in Gilead? — tell me — tell me, I implore!"
 Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil — prophet still, if bird or devil!
By that Heaven that bends above us — by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore -
Clasp a rare and radiant maiden whom the angels name Lenore."
 Quoth the Raven, "Nevermore."

"Be that word our sign in parting, bird or fiend," I shrieked, upstarting —
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!— quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
 Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
 Shall be lifted — nevermore!

Acerca del autor

Edgar Allan Poe was born in Boston, USA, in 1809. Poe, short story writer, editor and critic, he is best known for his macabre tales and as the progenitor of the detective story. He died in 1849, in mysterious circumstances, at the age of forty.

J. Gerald Kennedy is Boyd Professor of English Emeritus at Louisiana State University and a past president of the Poe Studies Association. His books on Poe include Poe, Death, and the Life of Writing (1987), "The Narrative of Arthur Gordon Pym" and the Abyss of Interpretation (1995), and several edited volumes including A Historical Guide to Edgar Allan Poe (2001), Romancing the Shadow: Poe and Race (2001; with Liliane Weissberg), and Poe and the Remapping of Antebellum Print Culture (2012; with Jerome McGann). His major contribution to American literary studies is Strange Nation: Literary Nationalism and Cultural Conflict in the Age of Poe (2016), written with the support of fellowships by the John Simon Guggenheim Memorial Foundation and the National Endowment for the Humanities. He has also published Imagining Paris: Exile, Writing, and American Identity (1993), and he edited the Penguin Classics edition of The Life of Black Hawk (2008). He has appeared in many Poe documentary films, including The Mystery of Edgar Allan Poe (1994) for the A&E Biography series and Eric Stange's film for the PBS American Masterpiece series, Edgar A. Poe: Buried Alive (2017).

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The Portable Edgar Allan Poe (Penguin Classics)
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The Portable Edgar Allan Poe (Penguin Classics)

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PORTABLE EDGAR ALLAN POE
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PORTABLE EDGAR ALLAN POE

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The Portable Edgar Allan Poe (Penguin Classics)

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