The New York Stories Tapa blanda - 2013

Detalles

• Título The New York Stories
• Autor John O'Hara; Steven Goldleaf (Editor); Introduction by Steven Goldleaf
• Encuadernación Tapa blanda
• Edición Reprint
• Páginas 400
• Volúmenes 1
• Idioma ENG
• Editorial Penguin Group, New York
• Fecha de publicación 2013-08-27
• Features Bibliography, Price on Product - Canadian, Table of Contents
• ISBN 9780143107095 / 0143107097
• Peso 0.6 libras (0.27 kg)
• Dimensiones 7.8 x 5.1 x 0.9 pulgadas (19.81 x 12.95 x 2.29 cm)
• Época de 18 a UP años
• Cursos 13 - UP
• Library of Congress subjects New York (N.Y.)
• Número de catálogo de la Librería del Congreso de EEUU 2013013890
• Dewey Decimal Code FIC

“You can binge on his collections, the way some people binge on Mad Men, and for some of the same reasons.” —Lorin Stein, editor of The Paris Review

"Among the greatest short-story writers in English, or in any other language...  [He helped] to invent what the world came to call The New Yorker short story." —Brendan Gill, Here at The New Yorker

"O'Hara occupies a unique position in our contemporary literature.... He is the only American writer to whom America presents itself as a social scene in the way it once presented itself to Henry James, or France to Proust." —Lionel Trilling, The New York Times

"This is fiction, but it has, for me, the clang of truth." —John Updike

“O’Hara’s eyes and ears have been spared nothing.” —Dorothy Parker

“A writer of dream-sharp tales, crisp yet dense.” —Los Angeles Times

“O’Hara practices the classic form of the modern short story developed by Joyce and perfected by Hemingway. . . . His coverage is worthy of a Balzac.” —E. L. Doctorow, from the Foreword

“Superb . . . The 32 stories inhabit the Technicolor vernaculars of taxi drivers, barbers, paper pushers and society matrons. . . . Undoubtedly, between the 1930s and the 1970s, [O’Hara] was American fiction’s greatest eavesdropper, recording the everyday speech and tone of all strata of midcentury society. . . . What elevates O’Hara above slice-of-life portraitists like Damon Runyon and Ring Lardner is the turmoil glimpsed beneath the vibrant surfaces.” —The Wall Street Journal

“His short stories are gorgeous broken scenes of American life . . . and his style and themes—a bridge, if you will, between F. Scott Fitzgerald and John Updike—remain painfully and beautifully relevant today.” —Huffington Post