Descripción:
Oxford: Oxford University Press, 2002. First edition and first printing. Hardcover. 376 pages. Text by Richard Meyer. Includes some color and black and white illustrations. A close to near fine copy with some slight bumping to the corners in a near fine dust jacket with some minor wear.
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Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art Tapa dura - 2002
de Richard Meyer
Primera línea
The enclosed red envelope contains graphic descriptions of homosexual erotic photographs that were funded by your tax dollars.
Detalles
- Título Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art
- Autor Richard Meyer
- Encuadernación Tapa dura
- Edición First Printing
- Páginas 392
- Volúmenes 1
- Idioma ENG
- Editorial Oxford University Press, USA, New York
- Fecha de publicación January 17, 2002
- Ilustrado Sí
- Features Illustrated
- ISBN 9780195107609 / 0195107608
- Peso 2.91 libras (1.32 kg)
- Dimensiones 10.36 x 7.24 x 1.06 pulgadas (26.31 x 18.39 x 2.69 cm)
-
Temas
- Chronological Period: 20th Century
- Sex & Gender: Gay
- Sex & Gender: Lesbian
- Topical: Lgbt
- Library of Congress subjects Censorship - United States, Art, American - 20th century
- Número de catálogo de la Librería del Congreso de EEUU 00058903
- Dewey Decimal Code 704.066
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Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (Ideologies of Desire)
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OXFORD UNIVERSITY PRESS, 2002-01-17. Second impression of the First Edition. hardcover. Used: Good.
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Outlaw Representation Censorship and Homosexuality in Twentieth-Century American Aet
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Descripción:
Oxford University Press, 2002. 1st Edition 1st Printing. Hardback. Fine/Near Fine.
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OUTLAW REPRESENTATION: Censorship and Homosexuality in Twentieth-Century American Art
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Seattle, Washington, United States
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New York: Oxford University Press, 2002. Boards in dust jacket. Light shelfwear. Very good. 376 pp., illustrations, notes, biblio., index. Photographer Robert Mapplethorpe was at the center of a controversy that erupted in the late 1980s over the federal funding of "obscene" art and, perhaps not so paradoxically, found his fame and stature enhanced. As Meyer demonstrates, Mapplethorpe is hardly the first or last artist to depict homoerotic desire who has had to deal with the suppression of art, nor to experience its consequent recirculation. Mirroring Michel Foucault's concept of reverse discourse (from his, Meyer argues that the regulation of homosexuality and homosexual art has often provoked unanticipated responses and counter-representations). He chronologically examines censorship of 20th century homosexual art in America and the results of censorship attempts. The text is illustrated by some 200 reproductions of the artwork in question. Contents: The Red Envelope: On Censorship and…
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Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (Ideologies of Desire)
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hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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Outlaw Representative: Censorship and Homosexuality in Twentieth-Century American Art
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Descripción:
Oxford and New York: Oxford University Press, 2002. First Printing. Hardcover. Larger Octavo; pp 376; VG-/VG-; blue pictorial spine with white text; dust jacket show lightly sunned exterior; cloth has lightly sunned tail edge; minor wear to corners; strong boards; text block has minimal wear to exterior edges; interior clean; frontispiece; profusely illustrated; arts - American; Modern. 1333974. FP New Rockville Stock.
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Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (Ideologies of Desire)
de Meyer, Richard
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Descripción:
Oxford University Press, 2002-01-17. Hardcover. New. New. In shrink wrap. Looks like an interesting title!
Precio
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