Music Grooves: Essays and Dialogues Tapa blanda - 1994

University of Chicago Press. Very Good. 1994. Paperback. 0226429571 . Very good paperback with tight binding and clean pages. Minimal shelf wear to edges and corners of covers and spine. ; 9.06 X 6.06 X 0.83 inches .

University of Chicago Press. Used - Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.

University of Chicago Press. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

University of Chicago Press. Used - Like New. Used book that is in almost brand-new condition.

University of Chicago Press, 1994. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of Chicago Press, 1994. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of Chicago Press. Used - Good. Used book that is in clean, average condition without any missing pages.

University Of Chicago Press, 1994. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780226429571

University of Chicago Press. Near Fine. 1994. Softcover. 0226429571 . B/w photos. ; 8vo 8" - 9" tall; 410 pp .

Chicago, IL, U.S.A.: University of Chicago Press, 1994. Trade Paperback. Near Fine. A unique collaboration between two of the most important students of popular music, this volume explores two themes central to the study of music: the experience of musical participation and the experience of musical mediation; a number of the authors' most important essays, thoroughly revised, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns, and reveal previously unseen connections; the format expresses the authors' desire for a more reflexive, experimental discourse on music and society; the subjects range from jazz, blues, polka, soul, rock, world beat, rap, karaoke, and other familiar genres to major scholarly debates in music theory and popular culture (cover has photo of South African street musicians on the front, very slight corner wear; otherwise a bright, clean, tight copy)