Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture Tapa blanda - 1998
de William J. Mahar
Primera línea
Blackface minstrelsy was "the national art of its moment ... the soundtrack for the American 1848."
Descripción de contraportada
Blackface conventions both criticized the changes occurring in antebellum American life and helped shape images of race, gender, and class. Through the songs, dances, jokes, parodies, spoofs, and skits of blackface, white performers could satirize majority values without directly attacking them. Burnt cork served as a masking device for these entertainers, shielding them from any direct personal identification with the material they were performing.
Behind the Burnt Cork Mask reassesses relationships between blackface comedy and other genres and traditions of Western theater; between the music of minstrel shows and its European sources; between blackface performance and socially constructed identities; and between "popular" and "elite" culture.
Detalles
- Título Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture
- Autor William J. Mahar
- Encuadernación Tapa blanda
- Edición First Edition; F
- Páginas 472
- Volúmenes 1
- Idioma ENG
- Editorial University of Illinois Press
- Fecha de publicación December 1, 1998
- Ilustrado Sí
- Features Illustrated
- ISBN 9780252066962 / 0252066960
- Peso 1.37 libras (0.62 kg)
- Dimensiones 8.91 x 6 x 1.01 pulgadas (22.63 x 15.24 x 2.57 cm)
-
Temas
- Chronological Period: 19th Century
- Chronological Period: 1800-1850
- Library of Congress subjects Popular culture - United States - History -, Minstrel shows - United States
- Número de catálogo de la Librería del Congreso de EEUU 97-3351
- Dewey Decimal Code 791.120
Reseñas en medios
Citas
- Library Journal, 01/01/1999, Page 0
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Behind the Burnt Cork Mask : Early Blackface Minstrelsy and Antebellum American Popular Culture
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