The Theory-Death of the Avant-Garde Tapa dura - 1991

Bloomington, Indiana: Indiana University Press, 1991. 1st Edition . Hardcover. Fine/Fine. 154 pages. notes. Black cloth, octavo. Fine copy in a fine dust in a mylar protector. Shipped in box.

Bloomington: Indiana University, 1991. hardcover. fine/fine. Frontispiece. 154 pages. Thin 8vo, black cloth with gilt lettering, pictorial d.w. Bloomington: Indiana University, (1991). A fine copy in a fine dust wrapper.<br/> <br/>

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Indiana University Press, 1991. hardcover. very good/very good. personal bookplate to front endpaper.

nf

In overall good condition, no pages missing. Shipping can take between 2-6weeks for international deliveries. Hardback copies may or may not have dust jackets, please get in contact for more information.

First printing.Volume, measuring approximately 6.75" x 9.75", is bound in black cloth, with stamped gilt lettering to spine. Book is in excellent condition. Dust jacket displays very light shelfwear. Jacket is now preserved in mylar cover. 154 pages."Sometime around the 1960s, a century or more after the avant-garde was named into existence by utopian socialists and advanced artists, the media was full of reports of its "death." How could such a death havve occurred? Weren't we still surrounded by what would once hve been called avant-garde artists, movements, rhetoric, and works? In this book, Paul Mann traces the causes of the avant-garde's allegedly terminal illness. His goal is not to produce yet another history of the avant-garde or another study of particular artists or movements -- although many movements and works are reconsidered -- but rather to investigate the discourse of the avant-garde, the ways we talk about the avant-gardes, the notion that "to produce a theory of the avant-garde is… Leer más