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Independent Group Postwar Britain and the Aesthetics of Plenty Tapa dura - 1990

de David Robbins, Jacquelynn Baas


Información de la editorial

The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism.This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - "Parallel of Life and Art," "Man, Machine and Motions," "This Is Tomorrow," and "An Exhibit." Above all, the book emphasizes the interaction between the exhibitions, discussions, art and writings of IG members, showing the ways in which they established a new aesthetic horizon.David Robbins is a freelance writer and editor in Berkeley, California. Distributed for the University Art Museum, University of California at Berkeley.Essays by: Lawrence Alloway, Theo Crosby, Barry Curtis, Diane Kirkpatrick, David Mellor, David Robbins, Denise Scott Brown, Alison and Peter Smithson, David ThistlewoodRetrospective Statements by: Lawrence Alloway, Mary Banham, Richard Hamilton, Geoffrey Holroyd, Magda Cordell McHale, Dorothy Morland, Eduardo Paolozzi, Toni del Renzio, Alison and Peter Smithson, James Stirling, William Turnbull, Colin St. John Wilson

Detalles

  • Título Independent Group Postwar Britain and the Aesthetics of Plenty
  • Autor David Robbins, Jacquelynn Baas
  • Encuadernación Tapa dura
  • Edición First Edition
  • Páginas 255
  • Editorial The MIT Press, Cumberland, Rhode Island, U.S.A.
  • Fecha de publicación March 28, 1990
  • ISBN 9780262181396
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Robbins: The Independent Group: Postwar Britain & The Aesthetics Of Plenty: Postwar Britain...

Robbins: The Independent Group: Postwar Britain & The Aesthetics Of Plenty: Postwar Britain and the Aesthetics of Plenty

de Robbins, D

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The Independent Group: Postwar Britain and the Aesthetics of Plenty

de David Robbins

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The MIT Press, 0000-00-00. First Edition. paperback. Used: Good.
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The Independent Group: Postwar Britain and the Aesthetics of Plenty

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The MIT Press, 1990-03-28. Paperback. Good. 0.9000 in x 12.3000 in x 9.8000 in. Mild general wear. Pages clean. Binding sound, but has been bent.
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The Independent Group : Postwar Britain and the Aesthetics of Plenty

The Independent Group : Postwar Britain and the Aesthetics of Plenty

de David Robbins (editor)

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Cambridge, Mass.: MIT Press, 1990. 1st Edition 1st Printing. Hardcover. Very Good/Very Good. 4to - over 9¾ - 12" tall. Well-illustrated and well-researched catalogue of an exhibition organized by the Hood Museum of Art, Dartmouth College ... [et al.] held between February 1, 1990 and August 18, 1991 at various locations. 256 p. : ill. (some col.) ; 25 x 31 cm. First edition, first printing. Yellow cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, some fading and a light crease to dust jacket, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.
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The Independent Group: Postwar Britain and the Aesthetics of Plenty

de David Robbins

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First edition
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ISBN 10 / ISBN 13
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Cambridge, MA: MIT Press, 1990. First edition. Hardcover. Very Good/Very Good. 4to. pp. 256
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THE INDEPENDENT GROUP Postwar Britain and the Aesthetics of Plenty

THE INDEPENDENT GROUP Postwar Britain and the Aesthetics of Plenty

de Robbins, David

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The MIT Press. Near Fine in Fine dust jacket. 1990. First. Hardcover. 0262181398 . 12.3 X 9.8 X 0.9 inches .
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The Independent Group: Postwar Britain and the Aesthetics of Plenty

The Independent Group: Postwar Britain and the Aesthetics of Plenty

de Robbins David, Baas Jacquelynn, Alloway Lawrence

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Descripción:
"The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism. This book provides the first… Leer más
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The Independent Group: Postwar Britain and the Aesthetics of Plenty

de David Robbins [Editor]; Jacquelynn Baas [Introduction]; Lawrence Alloway [Introduction];

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The MIT Press, 1990-03-28. Paperback. New. New. In shrink wrap. Looks like an interesting title!
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The Independent Group: Postwar Britain and the Aesthetics of Plenty

The Independent Group: Postwar Britain and the Aesthetics of Plenty

de Robbins, David

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Usado - VG/VG
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ISBN 10 / ISBN 13
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Cambridge: The MIT Press. VG/VG. 1990. Hardcover w/DJ. Oblong 4to., 256 pp. .
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
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The Independent Group: Postwar Britain and the Aesthetics of Plenty

de Robbins, David

  • Usado
  • Tapa dura
  • First
Estado
Used - Like New
Edición
First Edition
Encuadernación
Hardcover
ISBN 10 / ISBN 13
9780262181396 / 0262181398
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Southampton, New York, United States
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Descripción:
The MIT Press, 1990. First Edition. Hardcover. Used - Like New/Like New. First Edition, First Printing. Published by MIT Press, 1989. Quarto. Yellow cloth boards stamped in black with black endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. Some sticker residue on left flap. A fine copy of this art book on the history of the Independent Group and the rise of the Pop Art movement in Britain. 256 pages. ISBN: 0262181398. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!
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