Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Hoch Tapa dura - 1993

New Haven: Yale University Press, 1993. First Printing. Hardcover. Very good/very good. Tall 8vo, cloth in dust jacket, very good copy, minor wear. 260 pp, illustrated.

YALE UNIVERSITY PRESS, 1993. Hardcover. Good.

Yale University Press, 1993. Hard cover. Very good/Very good. Jacket is in great condition. Cover is worn on bottom edge. Binding is tight. Inside is clean and unmarked.

New Haven & London: Yale University Press, 1993. Book. Illus. by Hoch, Hannah. Near Fine. Hardcover. Fine But For Prev. Owner Name At Top Of Half Title Page, In Jacket With Only Slightest Trace Of Wear At Spine Heel. Internally Fine, And Apparently Unread..

Yale Univ Pr, 1993T. hardcover. Very Good. 1.1496 in x 10.4291 in x 7.5787 in. Overall in Very Good Condition. Includes Dust Cover When Hard Cover. Tight Binding. Clean Text with No Markings.Selling On Amazon Since 2006.

New Haven CT: Yale University Press, 1993. 1st. Hardcover. Very Good/Very Good. Hardcover, in a bright dust jacket, 278 pages. An important pioneer of the artform that became known as photomontage. Hoch (November 1, 1889 to May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Höch was the lone woman among the Berlin Dada group, however she was dismayed to the Dadaists lip service to women's emancipation and her work echos her feelings that there were difference between women in media and reality. Marriage did not escape her criticism. She depicted brides as mannequins and children, reflecting the idea that women are not seen as complete people and have little control over their lives. A long-time German resident, her work fell out of favor after WWII although she continued to produce her photomontages and exhibit them internationally until her death in 1978. Record # 372561

US: Yale Univ Pr, 1993. First Edition, First Printing. Hardcover. Very Good/Very Good +. First Edition, First Printing. Black cloth over boards with orange particulars and publisher's emblem to spine. Creasing to page 197 and curling to lower corner of a few pages; otherwise, pages are clean and unmarked. Text block is clean and unmarked. Boards are clean with light rubbing and sunning to edges, corners and ends of spine; corners bumped. Binding is tight and square. Dust jacket is clean and bright with light scuffind to rear cover; very light creasing to ends of spine. Dust jacket is covered in a protective mylar jacket.

Yale University Press, 1993. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:0300047665

Yale Univ Pr, 1993. First Edition. Hardcover. Used - Like New/Like New. First Edition, First Printing (Full Number Line). Published by Yale University Press, 1993. Octavo. Black cloth boards stamped in gold with black endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. A lovely copy of this collection of works by German Dada artist and a leading contributor to the art of photomontage. 260 pages. ISBN: 0300047665. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

New Haven/ London: Yale University Press, 1993. Hardcover. Good DJ with VG book (DJ is edgeworn/sunned/scuffed lightly; boards are very lightly edgeworn; interior is very clean; binding is solid.). Brown DJ with color illustration and black and white lettering; black cloth over boards with light brown lettering on the spine; XVII, 260 pp.; richly illustrated. "The women of Weimar Germany had an uneasy alliance with modernity: while they experienced cultural liberation after World War I, these 'New Women' still faced restrictions in their earning power, political participation, and reproductive freedom ... Hoch, a member of the Berlin Dada group, was recognized as one of the most innovative praticioners of photomontage." -- DJ.