Piero della Francesca Tapa dura - 2005

New Haven: Yale University Press. 1st printing (2005). 420pp. VG+/VG+ copy, now preserved in archival jacket protector . Very Good. Hardcover. 1st Edition. 2005.

Yale University Press, 2005-08-15. hardcover. Like New. 8x1x10. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.

Yale University Press. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

New Haven and London: Yale University Press, 2005. First edition. Hardcover. Very Good in Very Good dust jacket. 26.5 x 19.5 cm. Royal octavo. 420pp. Red cloth in dust jacket. Bottom of boards lightly bumped. Light toning to page edges. Small hole to jacket spine.

Yale University Press. Collectible - Very Good. Condition: Very Good +; Hardcover in dustjacket. First Edition. Condition is Very Good+ in a Very Good+ dustjacket. Book has clean covers, square spine and corners and a tight binding. Tiny bump to top of front cover. Jacket clean and bright with very light wear only. Photos upon request.

YALE UNIVERSITY PRESS. Hardcover. GOOD. 0 9780300103427 2005 HARDCOVER IN DUST JACKET, SOIL TO PAGE EDGES, ELSE GOOD A MATHEMATICIAN'S ART

Yale University Press, 2005 4o (27 cm), 256 pp. Publisher's cloth and dust-jacket (minor shelf-wear). "Piero della Francesca, one of the greatest painters of the fifteenth century, was also an accomplished mathematician. This book--the first combined study of Piero's work as a mathematician and as a painter--explores the connections between these two activities and thus enhances our understanding of both his paintings and his writings. J. V. Field begins by describing Piero's education, family background, and training as a painter. The book then examines the strong sense of three-dimensional form shown in his art and the abstract solid geometry discussed in his writings. Field next considers Piero's treatise on perspective and paintings that exemplify the prescriptions it provides and assesses the optical or pictorial "rules" Piero followed as a painter. Piero is identified as a figure of some intellectual weight--as a learned craftsman. The book concludes by considering… Leer más